The map is very large – the full frame measures . This makes Fra Mauro's
mappa mundi the world's largest extant map from early modern Europe. The map is drawn on high-quality
vellum and is set in a
gilded wooden frame. The large drawings are highly detailed and use a range of expensive colors; blue, red, turquoise, brown, green, and black are among the pigments used. The main circular map of the world is surrounded by four smaller spheres: • The top left sphere is a cosmological diagram – a map of the
Solar System according to the
Ptolemaic system. • The top right is a diagram of the
four elements – earth is followed by water, fire, and air. • The bottom left is an illustration of the
Garden of Eden. Significantly, Fra Mauro took the step of placing the Garden of Eden
outside the world, rather than in its traditional place in the extreme east. • The bottom right depicts
Earth as a globe. It shows the
North Pole and the
South Pole, as well as the
Equator and the two
tropics. About 3000 inscriptions and detailed texts describe the various geographical features on the map, as well as related information about them. The depiction of inhabited places and mountains, the map's
chorography, is also an important feature. Castles and cities are identified by pictorial glyphs representing turreted castles or walled towns, distinguished in order of their importance. The making of the map was a major undertaking and the map took several years to complete. The map was not created by Fra Mauro alone, but by a team of cartographers, artists, and copyists led by him and using some of the most expensive techniques available at the time. The price of the map would have been about an average copyist's annual salary. In 1804, the British cartographer William Frazer made a full reproduction of the map on vellum. Although the reproduction is exact, minor differences are seen between the Venetian original and the British copy. The Frazer reproduction is currently on display in the
British Library in London. In this article, some images are from the Venetian edition and some are from the Frazer reproduction. A number of historians of cartography, starting with
Giacinto Placido Zurla (1806), have studied Fra Mauro's map. A critical edition of the map was edited by
Piero Falchetta in 2006. == Orientation and center ==