'' She adopted her stage name
Maxine Elliott in 1889, making her first appearance in 1890 in
The Middleman. In 1895, she got her first big break when
Augustin Daly hired her as a supporting actress for his star player,
Ada Rehan. After divorcing her first husband, Elliott married comedian
Nat C. Goodwin in 1898. The two starred together at home and abroad in such hits as
Nathan Hale and
The Cowboy and the Lady. For her appearance in a production of
The Merchant of Venice, she negotiated a contract for $200 and one-half of the profits over $20,000. She was billed alone when
Charles B. Dillingham's production of
Her Own Way opened on Broadway on September 28, 1903. From then on, Elliott was a star. When the production moved to London in 1905,
King Edward VII asked that she be presented to him, and they were rumoured to have had an intimate relationship. Goodwin eventually divorced Elliott in 1908. Around this time she became friendly with financier
J. P. Morgan. Some biographers of Morgan claim the seventy-year-old Morgan had a sexual relationship with Elliott but no evidence substantiates these rumours. Assuredly Morgan gave her financial advice, which helped her become a rich woman. Shortly after divorcing Goodwin, she returned to New York City and in 1908 opened her own theater,
The Maxine Elliott, located on 39th Street near
Broadway. She was both owner and manager, and, at the time, the only woman in the United States running her own theater. Her first production was
The Chaperon. She experimented with acting in silent films in 1913. In that year, she was in
Slim Driscoll, Samaritan,
When the West Was Young and
A Doll for the Baby, but she soon returned to Britain. In 1913, she started dating New Zealand's tennis star
Anthony Wilding, who was over 15 years her junior, with
The Seattle Star calling him her lover. According to the
Star she had planned to marry Wilding, but he was killed on May 9, 1915, at the
Battle of Aubers Ridge in World War I. After his death she reportedly became obsessed with the
War and moved to
Belgium. There she volunteered both her income and her time to the cause of the Belgian relief, being rewarded with the Belgian
Order of the Crown. In 1917, Elliott returned to the U.S. and signed with the newly formed
Goldwyn Pictures to make the 1917 film
Fighting Odds and 1919 film
The Eternal Magdalene. Elliott can be seen visiting Charlie Chaplin's studios in 1918 and cavorting with him and her entourage before Chaplin's cameras. Her visit to Chaplin survives and is sometimes included in omnibus videos on Chaplin. Elliott's last stage appearance was in 1920 in
Trimmed in Scarlett, aged 52. She then retired from acting, announcing that she "wished to grow middle-aged gracefully". According to biographer Diana Forbes-Robertson, contemporary critics were divided on whether it was "her beauty or her acting ability that attracted attention" over her career. ==Businesswoman==