Yohé began her career as a
soprano, but within a short while her voice lowered into a
contralto that was described as peculiar. She debuted as May Yohé (May derived from her initials) in January 1886 with the
McCaull Comic Opera Company as Dilly Dimple in
The Little Tycoon, a
comic opera by Willard Spencer, presented at Temple Theatre in Philadelphia and in March of that year at the Standard Theatre in New York. In March 1887, she appeared in McCaull's
Broadway production of
Lorraine, composed by Rudolph Dellinger to a libretto by Oscar Walther, which was adapted in English by William J. Henderson. She then played in the same production at the
Chicago Opera House. In that production, she sang the following song with much success:
, c. 1894 (The Bystander'', 1908) The song remained popular in the Chicago area for several years. Yohé's unique vocal quality attracted the attention of the manager of the Chicago Opera House, and she was engaged to play princess Zal-Am-Boo in Alfred Thompson's extravaganza
Arabian Nights, which premiered on June 2, 1887. The following year, she appeared in
The Crystal Slipper: or Prince Pretliwittz and Little Cinderella, also at the Chicago Opera House. In 1888, on the weekend that preceded the Fourth of July, Yohé travelled to
Cleveland, Ohio in the company of Edward Shaw, the son of W. W. Shaw, a major stockholder in the Chicago Opera House. She missed at least two performances before returning. Shaw's young wife filed for divorce a week later. She subsequently toured in America and abroad with George Lederer's Players in the farce comedy
U & I and as Celia Cliquot in
Hoss and Hoss, both in 1891. In 1893, Yohé made her London debut as Martina in
The Magic Opal by
Isaac Albéniz, and the following year she played the title character in the musical
The Lady Slavey, composed by
Gustave Adolph Kerker, with a book by
Sir George Dance, in which she sang "What's a Poor Girl to Do". She starred as the title character in the 1894 hit
burlesque Little Christopher Columbus, "a great personal success" for her. In an interview, Yohé said the music, "had to be specially written for me – crammed so to speak, into my voice's shrunken circumference." While in London, she became a favorite of the
Prince of Wales (later King Edward VII). Sims noted that Yohé "could be rude [to writers, composers and conductors] if she didn't get just what she wanted." She later returned twice to Broadway. There she was Lady Muriel Despair in the musical
The Giddy Throng (1900–01) and appeared in the brief revival of the
revue Mamzelle Champagne in 1906. ==Marriages: 1893–1908==