Grillparzer showed Medea as a foreigner without protection who becomes the victim of powerful men, a view of the tragedy appealing to Reimann. In a production at the
Komische Oper Berlin, staged by
Benedict Andrews with
Nicole Chevalier in the title role, Medea is shown as a
barbarian woman, a stranger to the society and therefore expelled. A reviewer of the premiere noteds that the vocal lines are highly ornamented, full of
melisma, and with sharply jagged contours ("wild gezackt, scharf geschnitten"), demanding virtuosity from the singers. The
metre changes without rest, also in the orchestra. The strings are divided multiple times, while the winds often have solo function. The vocal style was described as highly artificial ("hochartifiziell"). == Recordings ==