In a contemporary review for
The New York Times, critic
Howard Thompson wrote: "Miss Grable may be a charter member of the bubble gum school of acting and her vehicles are usually standard excuses for stringing together some vaudeville specialties, granted. But there's no denying that the sight of this curvaceous, platinum-topped dynamo, sprayed in Technicolor and singing and hoofing as though she were having the time of her life, is still something for anybody's sore eyes. A blessed good thing, too, in the case of the new production. While scenarists Richard Sale, who also directed, and Mary Loos manage to pep it up now and then with some blistering wisecracks. they've concocted a feigned case of amnesia for each of the stars that makes the plot as lumpy as oatmeal." ==References==