Attic ochre

The peak of Attic ochre production occurred in old Hellenic times. Already by the first century BC, this pigment was considered very rare in Rome, since the veins had been worked out to a large extent in the previous period. Marcus Vitruvius Pollio, in the seventh chapter (″Natural Colors″) of the seventh book of his architectural works, laments that “...the best Attic ochre is no longer available, because when there were slaves in the silver mines in Athens, they dug shafts underground in search of silver. Encountering a vein of ochre there, they tried to mine ochre along with silver; therefore the ancients had at their disposal excellent supplies of ochre for finishing their works.” Pliny the Elder fully confirms his opinion in Natural History (book thirty-three). “The best ochre is the one called Attic; its price is 2 denarii per pound. The next one is marbled, the price is half that of the Attic one.” == Use ==

First of all, Attic ochre was used for painting rooms and high-quality finishing works, as well as for decorating ceramics and household items. According to the same Pliny, Greek painters used six types of ochre. The best of them, the so-called Sil atticum, was used for those cases when it was necessary to depict light. It is believed that the introduction of Attic ochre into paintings began quite late, in the 1st century AD. It was first used in their works by the Greek painters Polygnotus and Micon, as well as Apelles, Echion, Melanthius and Nicomachus. They used only four colors (ochres) in their work, one of which was Attic ochre, which depicted light and the light parts of the picture. To this it should be added that in ancient times ochre remained the only or almost the only yellow pigment available. The high cost and lack of Attic ochre forced us to look for recipes for simulating its color using artificial means. Thus, in the last, fourteenth chapter of the same book (“Paints replacing crimson, ochre, mountain green and indigo”), Vitruvius describes one of the methods used by house painters to obtain the color of Attic ochre from boiled dried violets and chalk. == Properties ==

Attic ochre is homogeneous and well-tanned, it has a provocatively bright light yellow color, reminiscent of the solar spectrum or even lighter. It is stable, does not fade in sunlight and does not decompose from exposure to atmospheric factors. However, this type of ochre should not be confused with Attic ceramics proper, which also had a reputation for high quality. Unlike the bright yellow ocher, Attic clay is light orange to reddish brown in color and often contains small mica sparkles. Of the modern paints that are closer in tone to Attic ochre, one can name, first of all, golden ochre. ==References==