The first certain reference to him is from 1260, when he appears as "Megliore dipintore" in a list of Florentine citizens who participated in the
Battle of Montaperti. His youthful works date from c.125o to 1260. They include a "Madonna and Child" from a church in Panzano (
Greve in Chianti), the "Stoclet Madonna" in the
Adolphe Stoclet collection and the "Madonna and Child" at the
Art Institute of Chicago. Most of his works are influenced by the geometric stylization of the
Master of the Bigallo Crucifix. His later works are grouped around a key work that was signed and dated in 1271; an altarpiece, preserved in the
Uffizi, which depicts Christ, the Virgin,
Saint Peter,
Saint Paul and
Saint John the Evangelist. It represents a stylistic departure that is reminiscent of
Cimabue. Dated sometime between 1270 and 1275 is a "Madonna and Child with Two Angels"; originally at the church of Santa Maria, previously located in Bagnaldo, a district in
Certaldo and now preserved at the nearby
Museum of Religious Art. His "Madonna and Child" in Montefioralle (Greve in Chianti) is one of his last works, after 1280, and shows the influence of novelties introduced by
Giotto. == References ==