At
Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, ''Melody's Echo Chamber
received an average score of 79, based on 19 reviews, indicating "generally favorable reviews". AllMusic reviewer Tim Sendra praised Melody Prochets "lovely singing and evocative songwriting" and Kevin Parkers "inspired production", writing that "the perfect balance the duo strikes between pop and art makes Melody's Echo Chamber
a rather stunning debut." In a review for Consequence of Sound, Frank Mojica said that "the album is akin to an Inception''-style dream within a dream, where there's a risk of never waking, instead remaining trapped in limbo. While some albums evoke a dream-like state, ''Melody's Echo Chamber'' ensnares the listener into its elegant wilderness, not wanting to let go". Mojica also drew comparisons between the album's material and releases from
Air and
M83. Writing for
DIY, Dean Lucas praised Parker's production, though wrote that "[Parker's] degree of influence could easily be overstated, as it's not the song writing that shows his presence… Prochet merely uses Parker's colours to paint an entirely different picture". In a review for
Drowned in Sound, Dom Gourlay said that "while there are comparisons to be made with artists of [shoegazing] both old and new, ''Melody's Echo Chamber
has much more to offer than being a mere revisionist exercise". Gourlay also noted similarities to Kevin Shields and My Bloody Valentines Loveless'' with Parker's production, and added that "the future possibilities for [Prochet] and Melody's Echo Chamber are endless … they've conjured up one of 2012's… finest debuts."
Mojo summarised ''Melody's Echo Chamber
as "[a] luscious layercake of flange and Echoplex." NME'' writer Gavin Haynes compared Melody's Echo Chamber to several artists, including
Stereolab,
Broadcast and the
Cocteau Twins in his review and said that "when Melody's light-saturated first single 'Crystallized' rolled into our
Twitter feeds back in March, it was easy to dismiss the shimmery-shiny song as standard
blog-bait. But
Melody’s Echo Chamber manages to create something just as dark as it is light." While Skinner believed "It would have been interesting to see what form Prochet’s songs might have taken had she and Parker not deconstructed them so thoroughly", he called the album a "bold, expressive debut". Some reviewers were critical of the album's latter half, With Jordan Blum of
PopMatters writing that its "synthesis of 1960s hippie female songwriters and eccentric production masters… gets a bit repetitive by the end, but it's almost indisputable to say that Prochet offers some charismatic melodies … and interesting sounds along the way". ==Track listing==