Critical reception Contemporary reviews At the time of its release, the film received "generally unfavorable" reviews. However,
Disney Discourse: Producing the Magic Kingdom notes that an article in
Time Magazine around that time "celebrated the global scope of the Disney product",
The Andrews Sisters: A Biography and Career Record notes that "the public liked the film and it was a box-office success". In his book
The Animated Movie Guide, Jerry Beck gave
Melody Time a rating of 2/5 stars, and described the film as "odds and ends from a studio geared up towards revival". He said that by this time the post-war formula of releasing anthologies had become "tired", with only a few of the segments being interesting, and feeling as if the animators kept "pushing for something more creative to do". He commented that the film, a "vast underachievement" for Disney, felt dated like its predecessor
Make Mine Music, and added that he found it hard to believe that the artists who made this film had also made
Pinocchio eight years before. He praised the "exceptional designs and palettes" by stylist
Mary Blair, including the "flat styli[s]ed backgrounds" of
Wintertime, and the Impressionist painting/folk art look of
The Legend of Johnny Appleseed. He highlighted the "slapstick...impressive montage of Bill's impressive feats" as a "true treat". He described the "manic interpretation" of
Flight of the Bumblebee known as
Bumble Boogie, in which a bee terrorized by musical instruments and notes "change[s] colors and outlines from one moment to the next as the backgrounds seamlessly dissolve, change or morph around him", as "Disney's best piece of surrealism since the 'Pink Elephant on Parade' sequence in Dumbo". He also spoke about the "stellar special effects" involved in the dynamite exploding Ethel Smith's organ instrument, in the segment
Blame it on the Samba. However, he added that the rest of
Melody Time was "sad[ly]...forgettable". The authors of
The Cartoon Music Book said
Melody Time was "much better" than the other post-
Fantasia Disney package films of the era, adding that it was "beautifully designed and scored", paving the way for the "'populuxe' style" of Disney's first renaissance (starting with
Cinderella in 1950). They stated that
Trees and
Blame it on the Samba (which they described as a "psychedelic Latin American sequence") are "charming, if still obscure, entries in the Disney pop song catalog[ue]".
The Andrews Sisters: A Biography and Career Record author H. Arlo Nimmo said "in general, [the Andrews Sisters-sung] Melody Time holds up well, and the story of 'Little Toot' is as appealing to today as when it originally appeared fifty-some years ago". He described the singing as "unremarkable but narrat[ing] the...story cleverly". He adds
Variety quote: "'Little Toot,'...is colorful and engrossing. Andrews Sisters give it popular vocal interpretation", and said that although
The New York Times preferred the film to
Make Mine Music the newspaper added "The Andrews Sisters sing the story...not very excitingly". He also included
Metronome indifferent comment: "The Andrews Sisters sing a silly song about a tugboat". The article
The Walt Disney Classics Collection Gets "Twitterpatted" For Spring deemed
Little Toot one of
Melody Time highlights. In a review of the 2004 Disney film
Home on the Range, the article "Frisky 'Range' doesn't measure up: Disney delivers fun" said that the "sendup of the Wild West...has some fitful comic vitality and charm - [but] it can't hold a candle to the 'Pecos Bill' segment of the studio's late-'40s anthology, 'Melody Time'". Rotten Tomatoes reported that of critics have given the film a positive review, with an average score of . The critical consensus reads, "Melody Time is a charming musical anthology film that's expertly crafted and filled with high-spirited numbers." A 1998
Chicago Tribune review of the film, in honor of its VHS release, described the film as a "sweet, old-fashioned delight and one of the few Disney animated films that pre-schoolers can watch alone without danger of being traumatized", but also added that the younger generation might be bored by it, as they are "attuned to the faster, hipper rhythms of the post-'Mermaid' era". Film historian
J.B. Kaufman has noted that the segment is a cult favorite among Disney fans.
Box office The film returned rentals to RKO by 1951 of $2,560,000 with $1,810,000 being generated in the U.S. and Canada. ==Controversy==