Mana stated that the goal of the instrumental first track, "De Mémoire", is to revive nostalgic memories. Fellow guitarist
Közi revealed that they initially tried adding a bunch of different sounds, but ultimately decided that just the piano felt sad and lonely, like an Italian horror movie. Wanting to try something new, Mana gave "Gogo no Sasayaki" a
bossa nova rhythm. Yu~ki said it has a live acoustic feel, and that he added effects to his bass for the latter half of the song. Kami assumed bossa nova would be easy, but said it was very difficult. Közi referred to the song as the "coffee break" when listening to the album. Kami said he likes the strong chorus and aggressive vocals on "Miwaku no Rooma", and described it as very rhythmic. Közi said he had a hard time getting the sound of a real violin with his synth guitar. He described the violin part at the chorus as having a medieval European feel. Wanting "Seraph" to sound unlike any other band out there, Közi said Malice Mizer added a lot to the song, and as a result it is the thickest sounding song on the album. They used synths to thicken the sound of Közi's guitar, but there are more keyboards and piano than synths. Tetsu said that "Seraph" tells the happy ending of the same man from "Kioku to Sora", but said he planned to continue the story in later songs. ==Reception==