The series' primary artist was
Bill Everett, who in 1939 had created the aquatic antihero the
Sub-Mariner and who was now an Atlas mainstay. For issues #1–6, he drew the covers and one story each, as well as drawing a story for No. 9 and the cover of No. 10. The Lee/Everett story "Zombie" in issue No. 5 (July 1953) introduced the
Zombie, Simon Garth, in a seven-page, standalone story of a
zombie outside
New Orleans, Louisiana, and the ironic comeuppance visited upon his cruel master. The character was revived two decades later as the star of the black-and-white horror-comics magazine
Tales of the Zombie (Aug. 1973 – June 1974), published by the
Marvel Comics imprint
Curtis Magazines. The character has continued to make appearances in
Marvel comic books into the 2000s. Another character introduced in a standalone story that was revived decades later as a continuing character was an unnamed robot in the five-page story "I, the Robot", by an unknown writer and artist
John Romita Sr., in issue No. 11 (May 1954). Rechristened the Human-Robot, the character appeared in a non-canonical,
alternate-universe story in
What If? No. 9 (June 1978), as part of a 1950s version of the later-created Marvel
superhero team the
Avengers. The character next appeared in mainstream
Marvel Universe continuity in the six-issue miniseries
Agents of Atlas (Oct. 2006 – March 2007) and the subsequent ongoing series
Agents of Atlas vol. 2 (April 2009-on). Now dubbed
M-11, the Human-Robot, it served as a member of a team of artificially or naturally long-lived 1950s superhumans gathered as the globetrotting adventurers the
Agents of Atlas. Other series artists included
George Tuska and other 1940s
Golden Age of Comic Books veterans such as single-story contributors
Fred Kida,
Sheldon Moldoff,
Bob Powell, and
Syd Shores. Industry newcomers and future stars included
Gene Colan,
Russ Heath,
Joe Maneely,
John Romita Sr., and
Joe Sinnott. Among other artist contributors were
Tony DiPreta, Al Eadeh,
John Forte,
Jack Katz,
Ed Winiarski, Seymour Moskowitz,
Paul Reinman,
Werner Roth, and Robert Q. Sale. The covers of issues #7–8 are tentatively credited to Golden Age great
Carl Burgos. Two standard databases credit the final issue's unsigned cover to artist Harry Anderson. ==Collected editions==