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Meyer Schapiro

Meyer Schapiro was a Lithuanian-born American art historian who developed new art historical methodologies that incorporated an interdisciplinary approach to the study of works. An expert on early Christian, Medieval and modern art, he explored periods and movements with an eye toward their works' social, political and material constructions.

Background
Meir Schapiro was born in Šiauliai, Lithuania (then Governorate of Kaunas of the Russian Empire) on September 23, 1904. His ancestors were Talmudic scholars. His parents, Nathan Menachem Schapiro and Fanny Adelman Schapiro, were Lithuanian Jews. He attended Public School 84 and then Boys High School in Brooklyn. He attended lectures on anthropology and economics at the Young People's Socialist League. During summers, he worked as a Western Union delivery boy, a warehouse packer, an electrical-supply assembler and an adjustment clerk at Macy's. ==Education==
Education
In 1920, Schapiro entered Columbia University as a 16-year-old Pulitzer and Regents scholar. His professors included Mark Van Doren and Franz Boas. Undergraduate classmates included Whittaker Chambers, Clifton Fadiman, Herbert Solow, Lionel Trilling, Henry Zolinsky and Louis Zukofsky, with many of whom he contributed to The Morningside literary magazine. In 1923, he traveled to Europe with Chambers and Zolinsky. During his undergraduate days, he became known for his "Schapiric victory", by allegedly reducing an instructor to tears by means of dialectic logic. {{cite news {{cite web (In 1975, he received his third degree from Columbia, an honorary doctor of letters.) ==Career==
Career
Academics Schapiro spent his entire working career at Columbia. In 1928, he began teaching as a lecturer, before completing his dissertation. In 1936, he became assistant professor. In 1946, he became associate professor. In 1952, he became a full professor. In 1965, he was named University Professor. He became University Professor Emeritus in 1973. His final, weekly class at Columbia was "Theory and Methods of Investigation in Art." Schapiro and other dissenters, including Mark Rothko, Gottlieb, Harris and Bolotowsky, condemned dictatorships in Germany, Russia, Italy, Spain and Japan and founded a Cultural Committee which became the Federation of Modern Painters and Sculptors. Schapiro was a proponent of modern art, on which he published essays alongside books on Van Gogh and Cézanne. He was a founder of Dissent, along with Irving Howe and Michael Harrington. From 1966–1967 Schapiro was the Norton professor at Harvard University. Schapiro's discourse on style is often considered his greatest contribution to the study of art history. He said style refers to the formal qualities and visual characteristics of a piece of art, and demonstrated it could be used as an identifier of a particular period and as a diagnostic tool. Style is indicative of the artist and the culture at large. It reflects the economic and social circumstances in which an artist works and breathes and reveals underlying cultural assumptions and normative values. ==Personal life and death==
Personal life and death
Schapiro's brother was financier Morris Schapiro. His grand-nephew is artist Jacob Collins. In 1931, Schapiro married pediatrician Lillian Milgram. They had two children, Miriam Schapiro Grosof and Ernest Schapiro. He died in 1996 in New York at the age of 91 in the Greenwich Village house where he had lived since 1933. ==Impact==
Impact
Artists In the 1940s, when the Museum of Modern Art looked at purchasing Jackson Pollock's The She-Wolf (1943), Schapiro, as an acquisitions committee member, supported its acquisition. Schapiro demonstrated how the concurrent existence of two historical styles in one monastery was indicative of economic upheaval and class conflict. Schapiro's students include: • Sigmund AbelesJonathan CraryHelen FrankenthalerPeter GolfinopoulosMichael Hafftka • Carroll Janis • Allan KaprowHilton KramerRobert MotherwellDorothy MinerDavid RosandWilliam RubinLucas SamarasVirginia WrightBarbara Rose Portraits Alice Neel painted his portrait in 1947 {{cite web {{cite web {{cite web ==Awards==
Awards
Schapiro was a fellow of the American Academy of Arts and Sciences, the National Institute of Arts and Letters and the American Philosophical Society. In 1973, Schapiro received an award by the Art Dealers Association of America. In 1974, for Schapiro's 70th birthday, a dozen leading artists made original lithographs, etchings and silk-screens, sold in an edition of 100, whose proceeds endowed the Meyer Schapiro Professorship of Art History in art history and archeology at Columbia. The contributors were: Jasper Johns, Ellsworth Kelly, Alexander Liberman, Stanley William Hayter, Roy Lichtenstein, André Masson, Robert Motherwell, Claes Oldenburg, Robert Rauschenberg, Saul Steinberg, Frank Stella and Andy Warhol. {{cite web In 1975, Schapiro received the Alexander Hamilton Medal for distinguished service and accomplishment by the alumni of Columbia University. The same year, he received an honorary doctor of letters degree from the university. In 1976, he was elected a member of the National Institute of Arts and Letters. In 1987, he was named a MacArthur Foundation fellow. In 1995, his brother Morris donated $1 million to establish the Meyer Schapiro Professorship of Modern Art and Theory. In 1995, Schapiro received a special award for lifetime achievement from the College Art Association at its 83rd annual conference in San Antonio, Texas. He had been a member since 1926 and was cited for seven decades of scholarship and teaching in the field of art history: "Meyer Schapiro, we honor you for 70 years of unique scholarship and perception, for showing us the way in which art history enhances our understanding of human accomplishment." {{cite web ==Bibliography==
Artworks
In 1987, Schapiro exhibited 65 drawings and paintings from 1919 to 1979 in the Wallach Art Gallery in Schermerhorn Hall at Columbia. Subjects ranged from portraiture, landscapes, family, war horrors and abstraction. Included were a self-portrait at age 16 and two portraits of friend Whittaker Chambers. ==See also==
Literature
C. Oliver O'Donnell: Meyer Schapiro's Critical Debates. Art Through a Modern American Mind, The Pennsylvania State University Press, University Park, Pennsylvania, 2019, ==References==
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