The film opened in August 1988 in eight theaters in
Greater Orlando and was also screened in
Daytona Beach and
Melbourne, Florida. The film also opened in
West Germany. Kim said "I was so excited, and I had no doubt that we would pack every theater and it would be a blockbuster." Instead,
Miami Connection had a poor critical reception and its run in theaters ended after three weeks. The
Orlando Sentinel called it the worst film of 1988. The film had a cost of about $1 million and almost bankrupted Kim. Rob Humanick of
Slant Magazine commented that the film should have been featured on an episode of
Mystery Science Theater 3000, and that it "would have likely been seen as a prize specimen and went [sic] for the jugular".
Re-release As time passed,
Miami Connection became an underground
cult film.
Y.K. Kim said that in a period of several years before 2012 several magazines and television talk shows requested interviews about
Miami Connection, and that Kim ignored most of the requests. In 2009, Zack Carlson, a programmer at the
Alamo Drafthouse Cinema in
Austin, Texas, found the film on
eBay and made a winning blind bid of $50. Carlson screened the film in the theater in
Austin, Texas and found a positive reception, so he gave the film to the creative director of
Drafthouse Films, the distribution division of the Alamo Drafthouse Cinemas. The director, Evan Husney, called Kim, and asked to get permission to re-release the film. Originally Kim believed that his requests were jokes, so he terminated the calls multiple times. Kim said "I was wondering why they wanted to distribute this movie that the public had rejected and Hollywood treated like trash 25 years ago." Husney and Kim negotiated for several months before reaching a deal to re-release the film. In the summer of 2010 it was screened as part of the Alamo Drafthouse Weird Wednesdays. Rob Humanick of
Slant Magazine said "The response was immense, almost transcendent, leading to encore presentations and ultimately a limited re-release." The film received screenings in the
New York Asian Film Festival and the Everything Is Festival, where it met with a positive reception. Erin Sullivan of the
Orlando Weekly said "Drafthouse has helped connect this film to its audience with a series of midnight showings at film festivals and theaters in New York, Miami, Atlanta, Seattle and this week, Orlando." ==Reception and legacy==