Michaś Čarot

Čarot was born into a peasant family in the town of Rudziensk, Ihumienski Uyezd of the Minsk Governorate of the Russian empire (nowadays in Puchavičy district, Minsk region of Belarus). Čarot's grandfather was a weaving master and received the surname appropriate to his profession from the lord, while the poet's grandmother worked as a nurse in the lord's palace. He had two brothers and sisters: Pavlo (engineer and home teacher), Alexander (agronomist), Maria (cook) and Nastya (actress). In 1917 he graduated from the Molodechno Teachers' Seminary in Maladziečna. During the First World War, the seminary was evacuated to Smolensk, where Čarot spent the last two years of his studies. After graduation, he was mobilized into the army. but was mobilised in the Russian Imperial Army. During the First World War, he served as an officer of the reserve regiment in Kuznetsk, where, together with other Belarusian officers, he tried to create a Belarusian circle. In the spring of 1918 he returned to Minsk, where he worked as a teacher, sang in the Teraŭski choir, and headed a theatre group, while also acting in the troupe of Vladislav Golubko. During the Civil War and the intervention, he established contact with underground revolutionary organizations in Belarus, worked in the insurgent committee and was involved in the organization of insurgent detachments. He was one of the organizers of the Belarusian Communist Organization, which was formed in January 1920 from the members of "Young Belarus" during the Polish occupation. In 1920, he joined the Communist Party of Ukraine (b). == Soviet career ==

In the 1920s, Čarot worked as the editor of several Belarusian newspapers and established himself as a poet, playwright and novelist on the wave of the policy of Belarusization. He is regarded as “one of the leaders of the Belarusian Soviet literature of the 1920s” whose works “reflect[ed] all the romantic impulses, contradictions and great illusions of his time”. He addressed the poem "I am the first to sign a severe sentence..." (1930) to V. Lastovsky, M. Horetsky, A. Dudar, U. Dubovka, J. Pushcha and others arrested in connection with the "Union for the Liberation of Belarus" case, in which he denounced them ("You hid under the broom like mice") for their support for national democracy. He joined the Union of Writers of the USSR in 1934. == Arrest, execution and rehabilitation ==

Čarot was arrested as a "Polish intelligence agent" in January 1937. He shared a cell with the poet Yurk Liavonny. The novelist and poet Masei Siadnev in his novel "Roman Korzyuk" mentioned how the Čarot was deliberately sedated after being tortured in order to find new names of "traitors" while he was unconscious. After interrogation and torture, he pleaded guilty. His last poem "Oath", which declared his personal innocence, was written on the wall of the Minsk internal prison of the National Security Service, where Mykola Khvedarovich saw it and kept it in his memory: In 1939 I was transferred to a solitary cell. I carefully examined the walls, looking for inscriptions, and then in a corner I read the text of a poem, carved with something sharp on the wall. It was the last meeting with my favorite poet and friend Michaś Čarot. I kept these words of his in my heart for years. Čarot was sentenced to death by an NKVD troika in October 1937 and executed on 29 October in the Minsk NKVD prison. Soviet sources indicate the date of death as December 14, 1938, without mentioning the fact of execution. He was posthumously exonerated during the Khrushchev Thaw in 1956. Streets in Maladziečna and Rudziensk are named after him. == Main works ==

Plays • На Купальле (On Kupala Night) This was a musical play, which featured the famous Belarusian song Kupalinka. Čarot poetically reframed the lyrics of the folk song, and Belarusian composer Uladzimier Teraŭski wrote the music to it. Kupalinka was performed by the main character Alesia. She was played by non-professional actress Aliaksandra Aliaksandrovič, with whom Čarot was in love and to whom he wanted to dedicate the song. The play was a great success and was performed about 400 times. Until recently, the song's lyrics and music had been described as “folk music” without identifiable authors - despite Teraŭski's and Čarot's posthumous exoneration. == References ==