Pisaro's work is frequently performed in the U.S. and in Europe, in music festivals and in many smaller venues. It has been selected twice by the
ISCM jury for performance at World Music Days festivals (Copenhagen,1996; Manchester, 1998) and has also been part of festivals in Hong Kong (ICMC, 1998), Vienna (Wien Modern,1997),
Aspen (1991), Chicago (New Music Chicago, 1990, 1991), Glasgow (INSTAL, 2009), Berlin (
MaerzMusik, 2010), Sonorités (Montpellier, 2011) and others. He has held composer residencies in Germany (Künstlerhof Schreyahn), Switzerland (Forumclaque/Baden), Israel (Miskenot Sha'ananmim), Greece (EarTalk) and in the U.S. (Birch Creek Music Festival/Wisconsin). Concert length portraits of his music have been given in Munich, Los Angeles, London, Tokyo, Mexico City, Seattle, Jerusalem, Madrid, Santiago, Vienna, New York, Brussels, Curitiba (Brazil), Berlin, Chicago, Düsseldorf, Zürich, Charleston, Toronto, Cologne,
Aarau and elsewhere. His scores are published by
Edition Wandelweiser (Germany). Recordings of his work (solo and collaborative) have been released by Edition Wandelweiser Records, Winds Measure Recordings,
Erstwhile Records,
Another Timbre, slubmusic, Cathnor, Potlatch, HEM Berlin,
Bánh Mì Verlag and on Pisaro's own imprint, Gravity Wave. He has performed many of his own works and those of close associates
Antoine Beuger,
Kunsu Shim,
Jürg Frey and
Manfred Werder, as well as works from the experimental tradition, especially
John Cage,
Christian Wolff,
Robert Ashley and
George Brecht. Before joining the composition faculty at the
California Institute of the Arts (where he is located presently), he taught
music composition and
theory at
Northwestern University from 1986 to 2000. Pisaro received a 2005-2006
Foundation for Contemporary Arts Grants to Artists Award. == References ==