The parish church of St Michael probably dates back to the foundation of the city of Cambridge itself, though no written records survive prior to a valuation of the living in 1217. Substantially rebuilt by
Hervey de Stanton in the Decorated style, the Church was designed to serve both the parish and the college. The chancel is three bays long, a bay larger than the nave; both chancel and nave have sizeable side aisles. In 1324, de Stanton had suggested to the
bishop of Ely that the master and fellows, who were all members of the clergy, could provide daily worship for the parish, since they already used the church as their chapel. Consequently, on 18 March 1324/5, the first Master of Michaelhouse, Walter de Buxton was inducted as vicar of St Michael's Church.
Parish church and chapel for three colleges The church's nave would have been used for parish worship, regular preaching, university debates and lectures. Until the completion of a chapel for neighbouring
Gonville Hall in 1396, both Michaelhouse and Gonville shared in the use of the two aisles; Gonville making use of the north aisle of the church, Michaelhouse using the south. Since Gonville Hall was dedicated to the Annunciation of the Blessed Virgin Mary, the north aisle altar was also dedicated to the Blessed Virgin. The south aisle altar was known as that of "St Gregory of Pity", indicating that it would have been surmounted by an image of the Pity, that is, Christ and the instruments of the Passion. Its association with St Gregory derives from a vision by
Pope Gregory the Great when celebrating mass of Christ's real presence and sacrifice in the eucharistic bread. One of the later Hostels of Michaelhouse shared the dedication of the College chapel. While the altarpiece may have survived the reformation, it certainly would not have survived local Cromwellian iconoclasm, and was most likely destroyed, alongside other images in St Michael's, on Boxing Day 1643. However, a late-medieval
scutum sancti Trinitatis (
Shield of the Trinity), in the middle ages widely believed to be the Shield of St Michael and probably used as the College's coat of arms, has survived in the chapel's stained glass window. Michaelhouse clergy served the parish until the dissolution of the College in 1546. From the time of the demolition of the King's Hall Chapel in 1550, until the completion, on the same site, of
Trinity College Chapel under
Elizabeth I of England in 1565, the scholars of Trinity made use of St Michael's Church as their chapel. In the process of establishing a new chapel, 36 scholars' stalls created in 1485 by 'John Day, Carvar' for the
King's Hall Chapel, some with carved misericords, were removed to St Michael's, where they remain to date. As successor of Hervey de Stanton's foundation, Trinity College continues to hold the patronage of the living of St Michael's and, during the 16th to 18th centuries, fellows in Holy Orders at Trinity College ministered as clergy (so-called 'chaplains') of St Michael's. The present minister retains this title.
Diocesan church From the middle of the 17th century until the middle of the 19th century, the church was used as a venue of the episcopal and archidiaconal visitations for the
Diocese of Ely. Similarly, diocesan confirmation services would be held at St Michael's rather than in Ely Cathedral. On 11 November 1849, as the congregation was gathering for Sunday worship, the heating system caused the church roof to catch fire, resulting in the careful rebuilding of the roof by
George Gilbert Scott and the restoration of the church the following year. Scott's renovation did not extend beyond introducing a new stone porch at the north side of the church, the major restructuring of the church fell to Scott's son,
George Gilbert Scott, Jr. Scott's refurbishment From 1870 to 1872, George Gilbert Scott Jr was asked to design a fine new east window in memory of one of the parish clergy, William Beamont. In the process, Scott proposed the complete remodelling of the sanctuary, including the creation of an ascent of four steps to match the levels of the 14th-century
sedilia, and the creation of a tall new altarpiece that would extend 'up to three feet above the window cill level'. For his three-tiered new reredos, Scott made use of parts of the existing, much smaller, altarpiece created between 1864 and 1868 by Louvain woodcarver Michiel Abeloos. Abeloos had previously collaborated with
George Gilbert Scott on the carved choir stalls at Ely Cathedral. Abeloos' figures of the archangels Michael and Gabriel, the Last Supper and the College motto were all incorporated into a much grander piece, the work of local carpenters
Rattee and Kett and artist
F. R. Leach. In Cambridge, Leach also collaborated with
George Frederick Bodley on the ceiling and frescoes of
All Saints' Church, Jesus Lane, the ceiling of Jesus College Chapel, and the dining hall ceiling at Queens'. In 1874, Leach painted the Chancel ceiling and arches of St Michael's to designs of Scott as a thank-offering, without accepting any payment. Parts of the north aisle had been painted previously to designs by
Holman Hunt.
Michaelhouse Centre Ultimately, the parish proved too small to be sustainable. Indeed, from as early as 1550, when it was suggested that it should be united with the parish of
All Saints in the Jewry, St Michael's parish was threatened with fusion with neighbouring parishes. It was finally united with that of
Great St Mary's in 1908. Substantially refurbished in 2001–2002, the church now bears the College's name, Michaelhouse Centre, Cambridge. It serves as a lively weekday church, community centre, art gallery and a café managed by a charitable trust on behalf of the church council of the united parish. The chapel adjacent to de Stanton's grave is named in his memory and now, as then, forms the focal point for daily devotions at the church he built. == In popular culture ==