The
Dogme 95 group established rigid rules to govern their 'chastity' in filmmaking.
Thomas Vinterberg, in the first Dogme 95 film, went further: make a confession if elements of the film do not comply with the Dogme-rules. The confession is written from the director's point of view. Kragh-Jacobsen published his confession about
Mifune: As one of the DOGME 95 brethren and co-signatory of the Vow of Chastity I feel moved to confess to the following transgressions of the aforesaid Vow during the production of Dogme 3 – Mifune. Please note that the film has been approved as a Dogme work, as only one genuine breach of the rules has actually taken place. The rest may be regarded as moral breaches. • I confess to having made one take with a black drape covering a window. This is not only the addition of a property, but must also be regarded as a kind of lighting arrangement. • I confess to moving furniture and fittings around the house. • I confess to having taken with me a number of albums of my favourite comic book series as a youth,
Linda & Valentin (
Valérian and Laureline). • I confess to helping to chase the neighbour's free-range hens across our location and including them in the film. • I confess that I brought a photographic image from an old lady from the area and hung it in a prominent position in one scene: not as part of the plot, but more as a selfish, spontaneous, pleasureable whim. • I confess to borrowing a hydraulic platform from a painter, which we used for the only two bird's-eye overview shots in the film. • I do solemnly declare that in my presence the remainder of Dogme 3 – Mifune was produced in accordance with the vow of chastity. • I also point out that the film has been approved by DOGME 95 as a Dogme film, as in real terms no more than a single breach of the rules has been committed. The rest may be regarded as moral transgressions. == See also ==