Volpin was born into an intellectual family: his father, David Samuilovich, was a lawyer; his mother, Anna Borisovna (née Zhislin) was a schoolteacher. He grew up in Moscow, where he was an artistic child. He took drawing lessons from
Vasily Surikov. As a young man he was a supporter of the
October Revolution and fought in the
Russian Civil War for the
Red Army. From 1920 to 1921 he worked at the
Russian Telegraph Agency as a writer and designer of satirical propaganda posters (so-called
Rosta Windows), under the direction of
Vladimir Mayakovsky. From 1921 to 1927 he was a student at
Vkhutemas, where he wrote satirical poems and comic plays, including collaborations with
Viktor Ardov,
Ilya Ilf,
Yevgeny Petrov,
Valentin Kataev,
Vladimir Mass, and
Nikolai Erdman. In 1933, he was arrested by the
OGPU, along with Erdman and Mass, and charged with writing "anti-Soviet fables". He spent the next four years in a prison camp in the arctic. After his release in 1937, he reunited with Erdman and they began a screenwriting partnership that would last until Erdman's death in 1970. Their professional collaboration was based on an enduring but asymmetrical friendship, in which Erdman always treated Volpin as an inferior. The two men shared an interest in
horse racing and equestrianism, and several of their scripts involve horses and horsemanship as plot devices. Before the war, Volpin married Irina Glebovna Barteneva (1918–2004), to whom he remained married until his death. In 1941, at the outbreak of the
Great Patriotic War, Volpin and Erdman were in
Ryazan. Due to their history as political prisoners, they were unable to enlist in the ordinary way. Instead, they had to travel by foot to
Tolyatti, a distance of over 600 kilometers, in order to enlist in a special unit for disenfranchised persons and former priests. During the trek, Volpin bartered for their food and lodgings by painting portraits of local peasants. Volpin and Erdman were only briefly exposed to the war. By January 1942, as a result of Erdman's connections to
Lavrenty Beria, they obtained a transfer to Moscow, where they were assigned to write patriotic material for the Song and Dance Ensemble at the Central Club of the
NKVD. == Post-war career ==