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Teresa and Maria Milanollo

Teresa Milanollo and her younger sister, Maria Milanollo (1832–1848), were Italian violin-playing child prodigies who toured Europe extensively to great acclaim in the 1840s. After Maria died at age 16, Teresa, who was also a composer, had a long solo career. The name "Milanollo" has been perpetuated by the regimental march of the Life Guards, Coldstream Guards and Governor General's Foot Guards, written in their honour by their contemporary J.V. Hamm. The Teatro Milanollo in their native Savigliano was named for the sisters.

Biography of the Milanollo sisters
The Milanollo sisters, were a pair of violin-playing prodigies who toured Europe to great acclaim during the 1840s. Early years Birth, parentage, and their father's profession They were among thirteen children born in Savigliano in Piedmont, to Giuseppe Antonio Milanollo and his wife Antonina (née Rizzo) of Mondovì,. Born on 18 August 1827. Teresa was almost five years older than Maria (born 18 June 1832). Although Giuseppe Milanollo's profession is usually given as a "manufacturer of silk-spinning machines", Teresa Milanollo's training in Turin and first concerts The profession of luthier is consistent with Giuseppe's making for Teresa a little violin of white wood and giving her basic harmony lessons. This was in response to her persistent demands for a violin of her own after first displaying musical interest at the age of four. On leaving a church after a funeral ceremony in honour of King Charles Felix of Sardinia, Giuseppe had asked her if she had prayed. "No, father," she replied, "I did nothing but listen to the violin." Giuseppe placed Teresa under the tuition of Giovanni Ferrero, based locally in Savigliano. 1836–37: Marseille, Paris and touring the Netherlands with Lafont After a stop in Nice, Teresa concertised for a few evenings in the Rue de Noailles in Marseille, then on to the Grand-Théâtre. From there, the Milanollo family travelled on to Paris with a letter of introduction to the celebrated violinist Charles Philippe Lafont, who now became her teacher. and Auguste Tolbecque.) A French harpist, Nicolas-Charles Bochsa, at the time taking refuge in London to avoid prosecution for fraud and forgery, volunteered his services as manager to Teresa. Unfortunately, he pocketed the earnings due to Teresa and her family from the September–October UK tour of forty concerts It took place at the Freemasons' Tavern on Queen Street. The theatrical chronicler Simon Henry Gage described a "large room completely filled and the gallery exhibited a bright phalanx of beauty", and hailed the performance of "that wonderful girl, Milanollo". with young pianist Ellen May on 9 June. and "created a sensation" which led to the sisters' eventual "worldwide fame".) and Normandy, lasting until the beginning of 1839. She played a further seven concerts in Rouen in April. Following these acclaimed performances King Louis Philippe III invited the sisters to play for the royal family in his castle at Neuilly (3 June). 1842–43: Germany, Austria-Hungary, and back to their native Piedmont That September, they began a long tour of Germany in Aachen. A month later, in Cologne, in the palace of Brühl the sisters had the honour of performing together with Franz Liszt They "took Vienna by storm" After performances in many cities in the Austro-Hungarian Empire, the tour reached Trieste in August, and then regained their native Piedmont, from which they had been absent for six years. They played a benefit concert in Turin, but also in Savigliano and other places, and finally performed at the royal castle of Govone, in the presence of Queen Maria Theresa of Habsburg and Tuscany. Between 6–30 November the sisters completed 8 concerts in La Scala, Milan, and in December 1843 performed in Venice after concerts in Verona and Padua. Winter 1844 was spent concertising throughout Belgium, and New Year 1845 saw 17 performances in Amsterdam. Then, after briefly touring Northern France, the Milanollos performed in Britain in summer 1845, including in the presence of Queen Victoria. To close the concert, Teresa played her own composition, a fantasy on Marlborough. Another critic in the Glaneur claimed that her violin possessed "une âme vivante" ("a living soul"). She could barely carry the bouquets which fell at her feet. at the age of twenty-nine, and "later that day, married a military engineer and amateur musician named Theodore Parmentier" at the church of Saint Martin, Malzéville. Their reception, attended by "quantité «d’uniformes engalonnés d’or»" (many officers in gold-trimmed uniforms), was held in the garden of a house in the street of Chanoine Boulanger. aged seventy-seven. The two sisters were buried at the Père Lachaise cemetery. Teresa Milanollo donated many of the keepsakes and documents of her and her sister’s artistic career to the native town Savigliano. Nowadays these objects are displayed in the city museum "Antonino Olmo", in a dedicated room. == Compositions ==
Compositions
Teresa Milanollo's works, largely forgotten today, include: • Ave MariaChorus for male quartetFantaisie élegiaque for violin (1853; written in memory of her sister and co-violinist, Maria) • Two romancesTranscriptions and variations for violin and pianoforte == The Milanollo violins ==
The Milanollo violins
Teresa Milanollo's violins included a 1728 Stradivarius and a c. 1680 Ruggieri, which had belonged to Paganini. A book about Teresa's Ruggieri violin entitled ''Antonius and Hieronymus Amati, Die 'Maria Milanollo'' was published by Albert Berr, Bad Wiessee, in 1950. Of the 1728 Stradivarius, its owner Domenico Dragonetti had written in his will: "I bequeath this violin, which was played by Paganini, to Teresa Milanollo." Teresa's "Dragonetti-Milanollo" violin has been played since 2004 by Corey Cerovsek, and formerly by Paganini and in 1794 by Viotti. The small Ruggieri violin, the "Milanollo" violin, had formerly belonged to her sister Maria. The interior of the upper part of the instrument is inscribed with Maria's initials, "M.M." == Milanollo Theatre, Savigliano (Civico Teatro Milanollo) ==
Milanollo Theatre, Savigliano (Civico Teatro Milanollo)
Designed by Maurizio Eula, the theatre was originally proposed in 1834 and completed in 1836. It was inaugurated with a performance of the opera The Exile from Rome, by Donizetti. Outside, on the elegant cornice forming the base of the attic is a Latin epigraph expressing the building's dedication to two of the Muses:A group of friends, having collected the money, (erected) in 1835 this theatre to Melpomene and Talia, with the aim of embellishing and enhancing the souls of the people.The Milanollo Theatre has been described as “a delicate miniature" of the Palazzo Carignano in Turin. The Neoclassically inspired construction features a façade with statues portraying Comedy and Tragedy and a group with the Genius of Glory crowning Music and Poetry. There are floral bas-reliefs and round inserts containing portraits of the tragedian Vittorio Alfieri and the poet and opera seria librettist Metastasio. In 1899, the theatre was re-dedicated to the Milanollo sisters. == The Coldstream march — "Milanollo" ==
The Coldstream march — "Milanollo"
The tune of "Milanollo" was written by the 19th-century German composer for the Italian violinist virtuoso sisters and child prodigies, Teresa and Maria Milanollo. They introduced it to England in 1845 in the course of their extensive European tours. In the 1880s it was officially authorised, along with all regimental marches, by the War Office as a regimental march for the Coldstream Guards. The Coldstream Guards adopted the march under the title "Milanollo" and the official arrangement was authorised in 1882. From 1907 to 1936 it was known as "The Coldstream March", and republished under that title in 1925. The current arrangement was written by one of the Coldstream Guards' former Directors of Music, John Mackenzie Rogan, and it is known today as "The Coldstream March – Milanollo". Other regiments that adopted it include the Life Guards, the Suffolk Regiment, and the Governor General's Foot Guards. == References ==
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