MarketMilt Jackson
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Milt Jackson

Milton Jackson, nicknamed "Bags", was an American jazz vibraphonist. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players.

Biography
Jackson was born on January 1, 1923, in Detroit, Michigan, United States, While attending Miller High School, he played drums, timpani and violin, and also sang in the choir. At 16, he sang professionally in a local touring gospel quartet called the Evangelist Singers. He took up the vibraphone at 16 after hearing Lionel Hampton play the instrument in Benny Goodman's band. Jackson was discovered by Dizzy Gillespie, who hired him for his sextet in 1945, then his larger ensembles. Known at first for featuring Jackson's blues-heavy improvisations almost exclusively, in time the group came to split the difference between these and Lewis's more ambitious musical ideas. Lewis had become the group's musical director by 1955, the year Clarke departed in favour of Connie Kay, boiling the quartet down to a chamber jazz style, that highlighted the lyrical tension between Lewis's mannered, but roomy, compositions, and Jackson's unapologetic swing. The MJQ had a long independent career of some two decades until disbanding in 1974, when Jackson split with Lewis. In 1989, Jackson was awarded an Honorary Doctorate of Music from the Berklee College of Music. His composition "Bags' Groove" is a jazz standard. ("Bags" was a nickname given to him by a bass player in Detroit. "Bags" referred to the bags under his eyes.) He was featured on the NPR radio program Jazz Profiles. Some of his other signature compositions include "The Late, Late Blues" (for his album with Coltrane, Bags & Trane), "Bluesology" (an MJQ staple), and "Bags & Trane". Jackson died of liver cancer in Manhattan, New York at the age of 76. He was married to Sandra Whittington from 1959 until his death; the couple had a daughter. == Discography ==
Discography
As leader/co-leader , Half Moon Bay, California, 1980s. CompilationsI/We Had a Ball (Limelight, 1965) – rec. 1964 • All Star Bags (Blue Note, 1976)[2LP] – rec. 1952-1957 • Milt Jackson (Quintessence Jazz Series) (Pickwick, 1979) • The Best of Milt Jackson (Pablo, 1980) As leader of the Modern Jazz Quartet Vendome (Prestige, 1952) • Modern Jazz Quartet, II (Prestige, 1955) • Concorde (Prestige, 1955) • Fontessa (Atlantic, 1956) • The Modern Jazz Quartet at Music Inn (Atlantic, 1956) • The Modern Jazz Quartet (Atlantic, 1957) • The Modern Jazz Quartet and the Oscar Peterson Trio at the Opera House (Verve, 1957) • The Modern Jazz Quartet Plays No Sun in Venice (Atlantic, 1958) – film score rec. 1957 • The Modern Jazz Quartet at Music Inn Volume 2 (Atlantic, 1958) • Music from Odds Against Tomorrow (United Artists, 1959) – soundtrack • Third Stream Music (Atlantic, 1960) – rec. 1959–1960, including Sketch for Double String Quartet (1959) • Pyramid (Atlantic, 1960) • The Modern Jazz Quartet & Orchestra (Atlantic, 1960) • European Concert (Atlantic, 1960) – live • The Comedy (Atlantic, 1962) – recorded in 1960-1962 • Lonely Woman (Atlantic, 1962) • A Quartet is a Quartet is a Quartet (Atlantic, 1963) • Collaboration with Laurindo Almeida (Atlantic, 1964) • ''The Modern Jazz Quartet Plays George Gershwin's Porgy and Bess'' (Atlantic, 1965) – rec. 1964–1965 • Jazz Dialogue with the All-Star Jazz Band (Atlantic, 1965) • ''Concert in Japan '66'' (Atlantic [Japan], 1966) • Blues at Carnegie Hall (Atlantic, 1966) • Place Vendôme with The Swingle Singers (Philips, 1966) • Under the Jasmin Tree (Apple, 1968) – rec. 1967 • Space (Apple, 1969) • Plastic Dreams (Atlantic, 1971) • The Legendary Profile (Atlantic, 1972) • In Memoriam (Little David, 1973) • Blues on Bach (Atlantic, 1974) – rec. 1973 • The Last Concert (Atlantic, 1974) • The Only Recorded Performance of Paul Desmond With The Modern Jazz Quartet with Paul Desmond (Finesse/Columbia, 1981) – rec. 1971 • Reunion at Budokan 1981 (Pablo, 1981) • ''Together Again: Live at the Montreux Jazz Festival '82'' (Pablo, 1982) • Echoes (Pablo, 1984) • ''Topsy: This One's for Basie'' (Pablo, 1985) • Three Windows (Atlantic, 1987) • For Ellington (East West, 1988) • MJQ & Friends: A 40th Anniversary Celebration (Atlantic, 1994) – rec. 1992–1993 • Dedicated to Connie (Atlantic, 1995) – live rec. 1960 • Lost Tapes: Germany 1956–1958 (Jazzhaus, 2013) – live rec: 1956–1958 As a member • CTI All-Stars, CTI Summer Jazz at the Hollywood Bowl (CTI, 1991)[2CD] – rec. 1972 As sideman With Miles DavisQuintet / Sextet (Prestige, 1956) – rec. 1955 • ''Bags' Groove'' (Prestige, 1957) – rec. 1954 • Miles Davis and the Modern Jazz Giants (Prestige, 1959) – rec. 1954–1956 With Dizzy GillespieThe Complete RCA Victor Recordings (Bluebird, 1995) – rec. 1937–1949 • Dee Gee Days: The Savoy Sessions (Savoy, 1976) – rec. 1951–1952 • The Dizzy Gillespie Big 7 (Pablo, 1975) • Dizzy Gillespie Jam (Pablo, 1977) • Musician, Composer, Raconteur (Pablo, 1982) – rec. 1981 With Oscar PetersonVery Tall (Verve, 1962) – rec. 1961 • Reunion Blues (MPS, 1972) – rec. 1971 • The Oscar Peterson Big 6 at Montreux (Pablo, 1975) With othersCannonball Adderley, Things Are Getting Better (Riverside, 1959) – rec. 1958 • Count Basie, Jam Session at the Montreux Jazz Festival 1975 (Pablo, 1975) • Dee Dee Bridgewater, Dear Ella (Verve, 1997) • Wini Brown, Miss Brown For You (Savoy Jazz, 1986) – rec. 1947–1949 • Benny Carter, The King (Pablo, 1976) • Ray Charles, Just Between Us (Columbia, 1988) • Kenny Clarke, Telefunken Blues (Savoy, 1955) – rec. 1954–1955 • Roy Eldridge, ''What It's All About'' (Pablo, 1976) • Steve Miller, Born 2 B Blue (Capitol, 1988) • Hank Mobley, Hank Mobley and His All Stars (Blue Note, 1957) • Don Sebesky, Giant Box (CTI, 1973) • The Temptations, For Lovers Only (Motown, 1995) • Big Joe Turner, Nobody In Mind (Pablo, 1976) • Stanley Turrentine, Cherry (CTI, 1972) • Dinah Washington, Mellow Mama (Delmark, 1992) – rec. 1945 ==References==
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