Mir Taqi Mir

The main source of information on Mir's life is his autobiography Zikr-e-Mir, which covers the period from his childhood to the beginning of his sojourn in Lucknow. However, it is said to conceal more than it reveals, with material that is undated or presented in no chronological sequence. Therefore, many of the 'true details' of Mir's life remain a matter of speculation. Early life and background Mir was born in Agra, India (then called Akbarabad and ruled by the Mughals) in August or February 1723. He was given a daily allowance by the Mughal Amir-ul-Umara and Mir Bakhshi, Khan-i Dauran, who was another native of Agra. Some scholars consider two of Mir's masnavis (long narrative poems rhymed in couplets), ''Mu'amlat-e-ishq (The Stages of Love) and Khwab o Khyal-e Mir'' ("Mir's Vision"), written in the first person, as inspired by Mir's early love affairs, but it is by no means clear how autobiographical these accounts of a poet's passionate love affair and descent into madness are. Especially, as Frances W. Pritchett points out, the austere portrait of Mir from these masnavis must be juxtaposed against the picture drawn by Andalib Shadani, whose inquiry suggests a very different poet, given to unabashed eroticism in his verse. Life in Lucknow Mir lived much of his life in Mughal Delhi. Kuchha Chelan, in Old Delhi was his address at that time. However, after Ahmad Shah Abdali's sack of Delhi each year starting 1748, he eventually moved to the court of Asaf-ud-Daulah in Lucknow, at the ruler's invitation. Distressed to witness the plundering of his beloved Delhi, he gave vent to his feelings through some of his couplets. In the 1970s, a cenotaph was built in the vicinity of his actual burial place, helped by Maqbool Ahmed Lari, the founder of Mir Academy in Lucknow. ==Literary life==

His complete works, Kulliaat, consist of six Diwans containing 13,585 couplets, comprising a variety of poetic forms: ghazal, masnavi, qasida, rubai, mustezaad, satire, etc. "A Sayyid from Amroha took the trouble to put me on to writing poetry in the Urdu medium, the verse which resembled Persian poetry. Urdu was the language of Hindustan by the authority of the king and presently it was gaining currency. I worked at it very hard and practised this art to such a degree that I came to be acknowledged by the literari of the city. My verse became well known in the city and reached the ears of the young and old." ==Mir and Mirza Ghalib==

Mir's famous contemporary, also an Urdu poet of no inconsiderable repute, was Mirza Rafi Sauda. Mir Taqi Mir was often compared with the later day Urdu poet, Mirza Ghalib. Lovers of Urdu poetry often debate Mir's supremacy over Ghalib or vice versa. It may be noted that Ghalib himself acknowledged, through some of his couplets, that Mir was indeed a genius who deserved respect. Here are two couplets by Mirza Ghalib on this matter. Ghalib and Zauq were contemporary rivals but both of them believed in the greatness of Mir and also acknowledged Mir's greatness in their poetry. ==Famous couplets==

Some of his notable couplets are: At a higher spiritual level, the subject of Mir's poem is not a woman but God. Mir speaks of man's interaction with the Divine. He reflects upon the impact on man when God reveals Himself to the man. So the same sher can be interpreted in this way as well: Other shers: ==Mir Taqi Mir in fiction==

• Khushwant Singh's famous novel Delhi: A Novel gives very interesting details about the life and adventures of the great poet. • Mah e Mir is a 2016 Pakistani biographical film directed by Anjum Shahzad in which Fahad Mustafa played Mir Taqi Mir. ==Major works==

• Nikat-us-Shura, a biographical dictionary of Urdu poets of his time, written in Persian. • Zikr-e-Mir, an autobiography written in Persian. • Kulliyat-e-Farsi, a collection of poems in Persian • Kulliyat-e-Mir, a collection of Urdu poetry consisting of six diwans (volumes). • Mir Taqi Mir Ki Rubaiyat ==See also==