Dermisache published her first 500-page book in 1966–1967. Since 2004, Mirtha Dermisache together with Florent Fajole, a French publisher, made a series of publisher's devices exploring the dimensions of installation and publishing, which have been presented in Buenos Aires, Paris, London, Rome, and New York. In
The Paris Review, critic Will Fenstermaker wrote of her works: "Dermisache’s asemic writings are theurgic: they are ritualistic marks meant to heal one’s relationship to a universal presence. They take little interest in expressing the singular vision of the author and artist. They undermine the notion that the end state of an author is to be published, an artist to be framed." In 1971, she created the Workshop of Creative Actions in Buenos Aires where she imparted her visual arts teaching method. Between 1974 and 1981, she gave a cycle of public workshops named Colour and Form Conferences where she exposed her method: "How to develop creative skills by means of artistic techniques." She had exhibited in the Proa Foundation, the Fine Arts Pavilion at the Argentine Catholic University (UCA), at the MACBA, Spain, at the Centre Pompidou where on the occasion of her recent incorporation in the collection she was part of the exhibition collection elles @ centrepompidou, and in different institutional spaces in France, like the
Centre Des Livres d’Artistes and the Belfort School of Fine Arts Pavilion. Her latest group exhibition,
Alfabeti della mente, dedicated to the issue of illegible writing, took place in gallery P420, in Bologna, Italy, along with artists such as
León Ferrari,
Hanne Darboven,
Irma Blank and
Dadamaino. ==References==