The Monthly Film Bulletin wrote: "[The film's] conceptually avant-garde characteristics come over not as Borgesian strategies interrogating the very notion of 'reality', but as slick pirouettes prevented from spinning too far outside the confines of a saccharine, woman's magazine-style story ... director Peter Crane has characters move in and out of focus, into and out of frame, like the grey figures which haunt their memories. But such stylistic metaphors fail to excuse the essentially adolescent, wish-fulfilment nature of the entire Peter-Chrissy relationship. To the apologist who argues that this is precisely the point (the tawdry, beleaguered imaginings of a desperate man), one is tempted to answer that the film's title also was a clever intimation of just how much – or how little – is left to anchor one's interest." == Home media ==