Background Contemporary Indigenous art of the western desert began when Indigenous men at
Papunya began painting in 1971, assisted by teacher
Geoffrey Bardon. Their work, which used acrylic paints to create designs representing body painting and ground sculptures, rapidly spread across Indigenous communities of central Australia, particularly following the commencement of a government-sanctioned art program in central Australia in 1983. By the 1980s and 1990s, such work was being exhibited internationally. The first artists, including all of the founders of the
Papunya Tula artists' company, had been men, and there was resistance amongst the Pintupi men of central Australia to women painting. However, there was also a desire amongst many of the women to participate, and in the 1990s large numbers of them began to create paintings. In the western desert communities such as
Kintore,
Yuendumu,
Balgo, and on the
outstations, people were beginning to create art works expressly for exhibition and sale. Others who began their careers through that course include
Louisa Napaljarri, as well as Mona's sister Peggy Rockman. Western Desert artists such as Mona will frequently paint particular '
dreamings', or stories, for which they have personal responsibility or rights. Mona's dreamings are Ngatijiiri (
budgerigar) and Warna (
snake). In addition to painting, Mona has also worked in pottery, with her work in both media being exhibited by the
National Gallery of Victoria. ==References==