.
Harold Bloom said King's short story "plays the same theme" as the "more famous" "
The Monkey's Paw" by
W. W. Jacobs.
Time parallels and the inescapable past Leonard G. Heldreth wrote in
Journal of the Fantastic in the Arts that the short story explores time parallels and the connection between past and present through the reappearance of a toy monkey. When Hal Shelburn finds the monkey in a deteriorating Ralston-Purina box, it vividly recalls his childhood, prompting him to quote his long-dead Uncle Will and compare the scene to a closet in his childhood home in Hartford, thinking, "I won't think about that." Despite his efforts to suppress these thoughts, they overwhelm him, as the past remains an inescapable and burdensome part of his identity. Hal struggles to cope, seeking "to get through it so it would be gone again", as the monkey haunted his childhood, returning each time he discarded it. During the story, he sinks the monkey in a lake, though he imagines it being retrieved. King's characters often anticipate the future ambiguously, as Hal reflects, "those were only things that might be," though evidence suggests precognition.
Guilt, subconscious, and the monkey's symbolism Joe Sanders, writing in
Extrapolation, says the story portrays a father's struggle with a malevolent toy that seems to cause violent deaths. Critics debate whether the toy represents external evil or Hal Shelburn’s inner guilt and subconscious desires. Douglas Winter views the monkey as an external force of chance, while Tony Magistrale connects it to Hal’s unresolved guilt and subconscious mind. Gene Doty identifies a link between Hal and the monkey, interpreting it as an ambiguous embodiment of persistent, incomprehensible evil. Sanders says Hal's memories of the monkey highlight his unreliability as a narrator, blending childhood delight with instinctive disgust. His attempts to rid himself of the monkey fail, reflecting his inability to confront its symbolic meaning. The story parallels Freud's concept of the id, with the monkey representing suppressed destructive impulses. The narrative culminates in Hal's unsuccessful attempt to destroy the monkey, leaving its threat unresolved. Miquel-Baldellou says Hal confronts suppressed childhood trauma through the monkey toy, which symbolizes repressed fears and unresolved influence. The analysis also references Harold Bloom’s "anxiety of influence", portraying King's struggle to reconcile Poe's legacy within his own literary development. Biographical similarities between King and Poe, including the absence of a father figure, reinforce their shared thematic exploration of unresolved fears and creativity. ==Film adaptations==