The monopod allows a
still camera to be held steadier, allowing the photographer to take sharp pictures at slower
shutter speeds, and/or with longer
focal length lenses. In the case of video, it reduces camera shake, and therefore most of the resulting small random movements. Monopods are easier to transport and quicker to set up than conventional tripods, making them preferable for on-the-go (OTG) photography. An OTG photographer is not able to carry a heavy, bulky tripod around, and when they see a potential shot, there is no time to bother with setting up a complicated tripod. A simple monopod is easy to carry, easy to set up, and enables the photographer to take advantage of the situation they are presented with, all while providing camera support to capture a clear, sharp image. When used by itself, it eliminates camera shake in the vertical axis. When used in combination with leaning against a large object, a bipod is formed; this can also eliminate horizontal motion. Unlike a
tripod, monopods cannot support a camera independently. In the case of still cameras, this limits the shutter speed that can be used. They still allow longer exposures than hand holding, and are easier to carry and use than a tripod. Because it confers less stability than a tripod, monopods may present difficulties when trying to get a good image with very low light photography, i.e. night time, and shots where you need a 100% stable camera for example shooting light trails or landscapes with extreme
depth of field. With a special adapter, monopods can be used as a "chestpod", meaning that the foot rests now on the chest of the photographer. The result is that the camera is held more steadily than by hand alone (though not as steadily as when the foot is planted on the ground), and the camera/monopod is completely mobile, travelling with the photographer's movements. This technique is widely used in videography in which the photographer has to move with the subject == Ways of attaching a camera ==