Pierre-Alexandre Monsigny was born at
Fauquembergues, near
Saint-Omer, in the former
Artois region of France (now
Pas-de-Calais), four months before the marriage of his parents, Marie-Antoinette Dufresne and Nicolas Monsigny. He was educated at the Walloon Collége des Jésuites in Saint-Omer. It was here that he first discovered his aptitude for music. As the eldest child, in 1749, a few months after his father's death, he left for Paris with only a few coins in his pocket, a
violin and a recommendation letter, in an attempt to further his musical career and provide for his siblings. He entered into the service of the connoisseur of art and the theater, Louis Guillaume Baillet de Saint-Julien, in the bureau of the Comptabilité du Clergé de France. In 1752, after watching a performance of
La serva padrona by
Giovanni Battista Pergolesi at the
Paris Opera, he decided upon his true vocation. He then became Pietro Gianotti's student, and a contra-bassist at the Paris Opéra. Secretly, with a text by La Ribardière, he wrote
Les aveux indiscrets, his first comic opera, which premiered at the theater of the Foire St Germain in February 1759. This work was well received, and that encouraged him to compose a second opera, in two acts, on a
libretto by
Pierre-René Lemonnier.
Le maître en droit, the following year, received the same positive public response.
Michel-Jean Sedaine, a well-liked librettist, proposed to Monsigny a collaboration, following
Le cadi dupé success. Their common production was excellent: ''On ne s'avise jamais de tout
, Le roi et le fermier
and Rose et Colas. On 15 April 1766, at the Académie royale de Musique, his epic ballet in three acts Aline, reine de Golconde was not as successful as expected. The critics were harsher two years later, with L'île sonnante''. The music, it is true, preserves its usual grace of Monsigny's touch. However,
Charles Collé's libretto happened to be ill-adapted to the stage and justified the work's lack of success. It is during this same year of 1768 that the composer purchased the post of maître d'hôtel in the service of the great courtier
Louis Philippe I, Duke of Orléans. A place in the entourage of this patron proved favorable to Monsigny's inspiration.
Michel-Jean Sedaine submitted his libretto,
Le déserteur, for which he composed his most successful score. Yet
Le faucon, created in 1771 was a failure. On 17 August 1775,
La belle Arsène caused controversy among critics. In 1777, following the success of ''Félix, ou L'enfant trouvé'', Monsigny stopped composing. At the beginning of 1784, he married Amélie de Villemagne, with whom he lived peacefully until 1789. The
French Revolution and
The Terror deprived them of all their material existence. The musician and his family sank into deep misery and oblivion for a few years. Hearing of the composer's state of poverty, the members of the
Opéra-Comique gave him a pension of 2400 pounds, in order to prove their gratitude to one of the founders of their theater. The years of adversity came to an end and Monsigny reached once again his deserved success. He became inspector of teaching at the
Conservatoire de Musique de Paris. In 1804, he received the title of
Chevalier de la Légion d'honneur. In 1813, he succeeded
Grétry at the institute. He was totally blind during his last years. Monsigny died in Paris. ==Works==