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Morgan Studios

Morgan Studios was an independent recording studio in Willesden in northwest London. Founded in 1967, the studio was the location for recordings by notable artists and bands such as The Cure, Jethro Tull, the Kinks, Paul McCartney, Yes, Black Sabbath, Pink Floyd, Donovan, Joan Armatrading, Cat Stevens, Rod Stewart, UFO,, and many more. Morgan sold its studios in the early 1980s, with some of its studios succeeded by Battery Studios.

History
Morgan Sound Studios was founded in 1967 by Barry Morgan, Monty Babson, Jerry Allen, and Leon Calvert, who were operating a jazz record label at Lansdowne Studios and wanting dedicated office space for their label. Upon securing a location at 169–171 High Road, in the Willesden area of northwest London, the musicians decided to also build a recording studio. They hired ex-Olympic Studios engineer Terry Brown to manage the studio, who appointed another Olympic Studios alumnus, Andy Johns as chief engineer. Roy Thomas Baker, who would later achieve fame as an engineer and producer at Trident Studios, also worked at Morgan in its early years as an assistant engineer. Studio manager Terry Brown knew that Clive Green was designing a new mixing console for Lansdowne Studios, and he asked if he could buy the design. Green instead chose to build the console himself, resulting in the founding of mixing console manufacturer Cadac Electronics. The first Cadac console - a custom, hand-wired, eight-channel split-console desk with transformerless balanced inputs and outputs - was installed at Morgan Studios. The studios initially operated with a modestly sized, 20 x 20 foot live room and a 17 x 10 ft control room with a Scully 1-inch eight-track recorder, as well as Ampex two-track and four-rack recorders. In 1972, Morgan opened a significantly larger Studio 3 on the ground floor of a building across the street, outfitting it with a 24 x 24 Cadac console and a 3M M79 24-track recorder. In 1974, Morgan purchased another property around the corner to open Studio 4, Morgan's largest studio space yet. Outfitted with a 28 x 24 Cadac mixing console, Studio 4 also had the distinction of being the recipient of the first Ampex 24-track tape recorder in England (although it was later replaced by a Studer A80). Each of Morgan's control rooms had three EMT plate reverbs, two Pye limiters, and two UREI limiters. Morgan's studios also used Neumann U47 and U67 microphones. ==Successors==
Successors
In 1980, Morgan Studios 3 and 4 were sold to the Zomba Group and became Battery Studios. In 1982, Morgan Studios 1 and 2 were sold to Robin Millar and renamed Power Plant Studios, which closed 6 years later. ==Recordings==
Recordings
Albums 1960s • ''The Doughnut in Granny's Greenhouse'' (1968) – Bonzo Dog Doo-Dah BandDisposable (1968) – The DeviantsTons of Sobs (1969) – FreeAudience (1969) – AudienceBlind Faith (1969) – Blind FaithAhead Rings Out (1969) – Blodwyn PigFree (1969) – Free • Mott the Hoople (1969) - Mott the HoopleThe Affectionate Punch (1980) – The AssociatesBucks Fizz (1981) – Bucks FizzSpellbound (1981) – Tygers of Pan Tang • Renegade (1981) – Thin Lizzy • ''Teddy Boys Don't Knit'' (1981) – Vivian StanshallFaith (1981) – The Cure • Iron Fist (1982) – MotörheadPictures On A String (1982) – Comateens Singles • "Pinball Wizard" (1969) – The Who • "Riki Tiki Tavi" (1970) - Donovan • "Lola" (1970) – The Kinks • "Woodstock" (1970) – Matthews Southern Comfort • "Anticipation" (1971) – Carly Simon • "Hi, Hi, Hi" (1972) – Wings • "C Moon" (1972) – Wings • "Step into Christmas" (1973) – Elton John • "American Tune" (1974) – Paul Simon • "Monkey Jive" (1975) – Tiger Lily • "Your Generation" (1977) – Generation X • "News of the World" (1978) – The Jam • "Jumping Someone Else's Train" (1979) – The Cure • "C·30 C·60 C·90 Go" (1980) – Bow Wow Wow • "A Forest" (1980) – The Cure • "Primary" (1981) – The Cure • "Charlotte Sometimes" (1981) – The Cure • "Making Your Mind Up" (1981) – Bucks Fizz ==See also==
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