Box office The film opened in the United States on 31 March 1983. At 257 cinemas it ranked number six at the US box office, grossing US$1,987,853 ($7,734 per screen) in its opening weekend. It played at 554 cinemas at its widest point, and its total gross in the United States and Canada was $14,929,552. In the United Kingdom it opened on 3 screens in London and grossed £49,641 in its first seven days to rank third at the London box office. Internationally it grossed $27.8 million for a worldwide total of $42.7 million.
Critical reception Roger Ebert of the
Chicago Sun-Times gave the film two and a half stars out of four, calling it a "a barbed, uncompromising attack on generally observed community standards". In
The New York Times,
Vincent Canby declared it "the
Ben Hur of sketch films, which is to say that it's a tiny bit out of proportion", concluding it was amusing, but he wished it were consistently amusing.
Variety staff assessed it as disgusting, ridiculous, tactless, but above all, amusing.
Gene Siskel of the
Chicago Tribune awarded 3 stars out of 4, calling it "fresh and original and delightfully offensive. What more can you ask of a comedy?" Sheila Benson of the
Los Angeles Times wrote that the film was full of "raunchy talk, blasphemy (well, sacrilege) and one example of what kids call a totally
gnarly, gross-out scene. The problem for the reviewer (to be specific, this reviewer) is when you are laughing this much it makes logging all the fast-flying offenses almost impossible." Gary Arnold of
The Washington Post was negative, writing that "The strongest impressions left by this picture have less to do with its largely tedious attempts to burlesque human weakness and pomposity than with the group's failure to evolve a coherent satiric outlook." A review by Steve Jenkins in
The Monthly Film Bulletin was also negative, writing that the return to a sketch format constituted a "great leap backwards" for the troupe and that the film's outrageous moments "cannot disguise the overall air of
déjà vu and playing it safe." In 2004, director
Quentin Tarantino stated "The only time I've ever had to look away, because I couldn't bear to watch, was
The Meaning of Life, when that fat bastard keeps being sick. I felt really nauseous – it was just too much. I was looking around and I thought, 'If anyone here is sick and I have to smell vomit, I'm going to hurl'. I just about held onto my lunch in the end, but I still can't think about that scene without retching." In 2007,
Empires Ian Nathan rated it three of five stars, describing it as "too piecemeal and unfocused, but it possesses some of their most iconic musings and inspired madness". In 2014,
The Daily Telegraph gave the film four stars out of five. In his
2015 Movie Guide,
Leonard Maltin awarded it three stars, calling it "A barrel of bellylaughs", identifying the
Mr. Creosote and "
Every Sperm Is Sacred" sketches as the most memorable.
Family Guy creator
Seth MacFarlane states: “I view Monty Python as the great originator of that combination [provocative humour and high-quality original music].
The Meaning of Life in particular comes to mind, and my favorite example is "Every Sperm Is Sacred." It's so beautifully written, it's musically and lyrically legit, the orchestrations are fantastic, the choreography and the presentation are very, very complex – it's treated seriously." The
review aggregator website
Rotten Tomatoes gives the film a rating of 86% based on 37 reviews, with an
average rating of 7.30/10. The website's critical consensus reads, "''Monty Python's the Meaning of Life'' is rude, ribald, and unafraid to take comedic risks – which is to say it should more than satisfy fans of the titular troupe."
Accolades The Meaning of Life was awarded the
Grand Jury Prize at the
1983 Cannes Film Festival. While the Cannes jury, led by
William Styron, were fiercely split on their opinions on several films in competition,
The Meaning of Life had general support, securing it the second-highest honour after the
Palme d'Or for
The Ballad of Narayama. At the
37th British Academy Film Awards, Andre Jacquemin, Dave Howman, Michael Palin and Terry Jones were also nominated for Original Song for "
Every Sperm is Sacred." The award went to "
Up Where We Belong" in
An Officer and a Gentleman. ==Home media==