Box office On its
wide release, the film finished third at the US box office and spent 20 nonconsecutive weeks in the top 10 and finally grossed $80.6 million in the United States and Canada. Internationally it grossed $41.5 million for a worldwide total of $122.1 million, on a budget of $15 million.
Critical response Moonstruck received critical acclaim upon release. In
The New Yorker,
Pauline Kael called
Moonstruck a "rose-tinted black comedy" that "could become a holiday perennial". She recognized Shanley's script as an "
opera buffa in which the arias are the lines the characters deliver".
Roger Ebert, who later added the film among his "Great Movies" list, said: "Reviews of the movie tend to make it sound like a madcap ethnic comedy, and that it is. But there is something more here, a certain bittersweet yearning that comes across as ineffably romantic, and a certain magical quality". Film historian
Leonard Maltin gave the picture 4 out of 4 stars.
Gene Siskel, writing for the
Chicago Tribune, recommended "
Moonstruck, which is being sold as a romance but actually is one of the funniest pictures to come out in quite some time. [...] You will not easily forget this incredibly robust family, created by writer
John Patrick Shanley and directed by
Norman Jewison, who makes a comeback with this uproarious film."
Time wrote, "John Patrick Shanley's witty, shapely script puts an octet of New Yorkers under a lunar-tuney spell one romantic night. Cher shines brightest of all." It appeared on both Siskel's and Ebert's Top 10 lists for 1987. In 2018,
Billboard ranked Cher's work the all-time greatest acting performance by a musician.
Moonstruck scores 90% on
Rotten Tomatoes based on 78 reviews. It tallies 83/100 on
Metacritic from 18 reviews. The film's
CinemaScore is an "A−". In an appraisal of Cage's work,
Manohla Dargis wrote, "There’s something of
Brando in the way Cage confronts Cher in Moonstruck (1987), wearing a soiled white t-shirt, radiating heartbreaking masculine pathos, his arms muscular, his shoulders rounded with disappointment. There’s something of Brando as well in the way Cage fully uses his body, now and then, to punishing effect." Another critic underscored the moral of the film, "
Moonstruck does not really target Cosmo's philandering, or Ronny's anger at his brother, or Loretta's denial of her sexuality, so much as the fear, self-pity, or self-absorption that causes each of these characters to withdraw from the values the film associates with being alive. And in
Moonstruck, it is men more than women who are especially vulnerable to such fear and misguided in their response to it." ==Accolades==