Morris Verger

Verger was born in Fort Worth, Texas, the son of Dora and Joseph Verger. He graduated from the University of California, Berkeley, in 1943 and thereafter entered the U.S. Navy as a naval architect stationed in San Diego until the end of World War II. He married his wife, Florence, in 1939. Their son, Paul, was born in 1945, and daughter, Alice, in 1949. Florence was a business teacher and was active in architectural charities. Verger served as president of the Los Angeles County and State of California chapters of the American Institute of Architects. He became a Fellow of the American Institute of Architects in 1974. ==Career==

Verger began his solo practice in 1951. He was known for a wide body of work. Some of his larger projects are the City of Hope National Medical Center in Duarte and the Terman Engineering Center of Stanford University. He designed many commercial office buildings for professionals, including the Dwan Gallery-Flax Art complex in Westwood Village. The interior was modeled after Frank Lloyd Wright's V.C. Morris Gift Shop building in San Francisco, California. Verger's own self-designed Westwood neighborhood house on Comstock Avenue is a registered as an historic place in the City of Los Angeles. The Historic Commission describes it as an "Excellent example of Mid-Century Modern residential architecture." This home was featured in the June 1955 issue of American Builder. Additionally, a neighboring residence on Comstock also designed by Verger is also a registered Los Angeles City historic place. Verger advocated creating commercial and institutional architecture that reflects and respects the needs and desires of the people who would be commonly using it. He wrote in L.A. Architect in March 1975: In a later interview Verger stated: Verger was also known for his systems theory concept of "Connective Planning," the process of gathering the input of all potential users into the planning and building process. He opposed the idea of the architect imposing his will on the inhabitants and invitees of buildings, an unusual viewpoint in his time for commercial projects. He collaborated with psychologist Elias Porter from 1961 to Porter's death in 1987 in the refining of "Connective Planning" into the "Multiple Channel Communication," a method of planning architecture and spaces with the input of the ultimate users. Verger's first application of Connective Planning was the Dwan Gallery-Flax Art complex. He wrote in 1994 in his book Connective Planning: Los Angeles Times urban design critic Sam Hall Kaplan wrote “It was an interesting comment on architecture at a time when many designers feel compelled to express themselves at the expense of the users and neighbors. That Verger did not succumb to that compulsion deserves praise, as does his design.” ==References==