In 1960, Mouskouri moved to Paris. She performed Luxembourg's entry in the
Eurovision Song Contest 1963, "
À force de prier". Although the song achieved only eighth place in the contest, in a field of sixteen, it achieved commercial success, and helped win her the prestigious
Grand Prix du Disque in France. Mouskouri soon attracted the attention of French composer
Michel Legrand, who composed two songs which became major French hits for her: "
Les Parapluies de Cherbourg" (1964) and an arrangement of
Katherine K. Davis's "Carol of the Drum", "L'Enfant au Tambour" (1965). In 1962, she met
Quincy Jones, who persuaded her to travel to
New York City to record an album of American jazz titled
The Girl from Greece Sings. Following that she scored another hit in the
United Kingdom with the song "
My Colouring Book" (later included in her 1973 album
Songs from her TV series). In 1965, she recorded her second English-language album to be released in the United States, entitled
Nana Sings. American singer
Harry Belafonte heard and liked the album. Belafonte brought Mouskouri on tour with him through 1966. That year, they collaborated on an album entitled
An Evening With Belafonte/Mouskouri released by
RCA Victor. On the album's cover photo, Mouskouri is noticeably not wearing her signature black-rimmed glasses; during the tour, Belafonte suggested that Mouskouri remove her glasses while on stage. She was so unhappy with the request that she wanted to quit the show after only a few days. Finally, Belafonte relented and respected her wish to perform while wearing her glasses. On September 15, 1965, Mouskouri appeared for the first time on American television with Harry Belafonte on the
Danny Kaye Show. While on the show Mouskouri performed "Telalima" followed by "Σήκω χόρεψε κουκλί μου" (
Siko horepse koukli mou) accompanied by
Harry Belafonte and
Danny Kaye. Mouskouri's 1967 French album
Le jour où la colombe raised her to super-stardom in France. This album featured many of her French songs, "Au cœur de septembre", "Adieu Angélina", "Robe bleue, robe blanche" and the French pop classic "
Le Temps des cerises". Mouskouri made her first appearance at Paris' legendary
Olympia concert theatre the same year, singing French pop, Greek folk, and Hadjidakis numbers.
BBC-TV series These successes across Europe and elsewhere impressed
Yvonne Littlewood, the BBC producer who had first met Mouskouri at the 1963 Eurovision Song Contest in London. Following several successful guest appearances on British TV after her Eurovision performance, the
BBC invited Mouskouri and her backing group, The Athenians, to start hosting a TV series called
Presenting Nana Mouskouri from 1968 onwards. A typical episode of her series contained contemporary British, American and French pop and folk music, popular classical pieces, and the Greek songs which had originally made her famous. The shows also featured European and
world music stars of the time as guests, making it one of the first BBC TV series to do so regularly. Despite the fact that stars from mainland Europe singing in languages other than English have tended to find it difficult to break into the British market, Mouskouri's series proved very popular with viewers of the new
BBC-2 channel, and it ran until 1976. As well as performing songs known to British viewers, Mouskouri welcomed the television audience, chatted to her guest stars and gave spoken introductions to her French and Greek songs in fluent English. These introductions, along with a modest stage presence and her bespectacled appearance, made her a very distinctive star, as Yvonne Littlewood later explained: Mouskouri's international appeal encouraged the BBC to sell her programmes to television stations across the world, a fact which she acknowledged in a BBC interview in 2014: Mouskouri also hosted her own shows for French and West German broadcasters during this period. At a time when TV programmes could attract huge audiences, her popularity as a multilingual television personality turned her into a truly international star. Although music series such as hers started to become less common on British TV as the 1970s wore on, the BBC continued to engage Mouskouri regularly for one-off television specials and guest appearances on other programmes until the mid-1980s, by which time she had been a regular contributor to British TV for more than 20 years.
Success as an album artist In 1969, Mouskouri released her first British LP,
Over and over, which reached number 10 and spent a total of 102 weeks in the UK album charts. This began a series of albums for the UK market which, boosted by her TV appearances, sold extremely well during the early 1970s, including
The exquisite Nana Mouskouri (1969),
Turn on the sun (1970),
A place in my heart (1971) and
Presenting Nana Mouskouri - Songs from her TV series (1973), while concerts from two of her British tours were also recorded and released as LPs:
British Concert (1972) and
Live at the Albert Hall (1974). During the 1970s, Mouskouri - always a prolific recording artist - had two hit LPs in West Germany:
Sieben schwarze Rosen (1975) and
Lieder, die die Liebe schreibt (1978).
Spiti mou, spitaki mou (1972) returned Mouskouri to prominence in Greece, and she continued to release a series of top-selling records in France, including
Comme un soleil (1971),
Une voix qui vient du cœur (1972),
Vieilles chansons de France (1973), and
Quand tu chantes (1976). Meanwhile,
Passport, a compilation including her most popular songs in English, reached number 3 in the UK album charts in 1976 and won for her a gold disc. As her fame began spreading outside her fan base in Europe, the United States, and the Commonwealth, Mouskouri was asked to record songs for the Japanese and Taiwanese markets. In 1976, a renowned Taiwanese author, Echo, heard her music and introduced it to one of her female radio DJ friends. Mouskouri's records then became popular in Taiwan, especially among high school and college students, with one of her British albums, ''Nana's book of songs'' (1974) becoming particularly popular. ==Middle years==