The film was as a box-office failure. However, according to Fox records the film required $4,905,000 in rentals to break even and by 11 December 1970 had made $5,000,000 so made a small profit to the studio. Roger Greenspun of
The New York Times wrote "Though I can remember some very good moments, I can also remember too many lapses, loose ends, failures in energy and invention...Both Elliott Gould and Paula Prentiss have been shortchanged by their roles, or by their director—to the extent that often you can catch them apparently waiting (in character) for something to do." Arthur D. Murphy of
Variety wrote "'Move' walks the tightrope of zany comedy-fantasy, and doesn't it make it across...Gould has to carry the film singlehandedly, and the burden is much too great. Although only 90 minutes, film's pacing is lethargic." Gene Siskel of the
Chicago Tribune gave the film two stars out of four and wrote that the fantasy sequences didn't work because "it is not always possible to tell which events are real and which are fantasy. The cause for this is not a clever script, but that one doesn't care to tell the difference. There's no reward. In other words, the central script idea has no meaning other than as a device." Kevin Thomas of the
Los Angeles Times declared it "one of those pictures that seem funnier at the time than they are in retrospect, and it has a vivid if familiar central character but virtually no story. It is really but still another variation on '
8½,' with a hero in whom you cannot tell when reality leaves off and fantasy begins." Gary Arnold of
The Washington Post called it "a trifling new comedy vehicle for Elliott Gould. Although it's easy enough to sit through, the picture is so undemanding and insubstantial that it leaves no impression and no aftertaste." Gould later said ""there were great elements in it" but felt Rosenberg while "a sweet man and a talented filmmaker...Comedy wasn’t his main field. There was a problem with the script, and I would always defer to the writers, to the director. I didn’t know that I might have gotten involved to develop something that might have fused
Move." Gould later was offered the lead role in Rosenberg's
Pocket Money but turned it down because he did not want to work with Rosenberg again. Lieber committed suicide in May 1971, aged 35. == See also ==