Mulata is not one of the classic melodramas of Ninón Sevilla. The film does not contain the extravagant elements that make the indisputable classics
Victimas del Pecado,
Aventurera and
Sensualidad; does not have the spectacular musical numbers in large series and complex choreography, which are found in almost all her films; and contains not humor like in
Club de señoritas. But somehow
Mulata is probably the film that is closer to the cultural roots of Sevilla, ethnic and social concerns and the varied and different forms of love that made her life so rich. Adapted from
Mulatilla: Black Stamp, a novel by the Uruguayan writer Roberto Márquez Olivencia, the action takes place now in Cuba and tells the story of Caridad (a name that echoes the name of the Virgin patron of the island), the beautiful daughter a black slave who has to fight against those who exploit high positions, and men who only want her as a sexual object. Her life was marked by tragedy and she will be physically abused, betrayed and forced into prostitution. The story is told in flashback, from the memories of the Mexican sailor. The character is played of brutal way by the actor Pedro Armendariz. There is a long sequence on the beach that covers a celebration of a ritual dance of
Santeria, the
Yoruba religion shown by Ninon as important in her films as
Victimas del Pecado and
Yambaó. By 1954, the sequence is a strange and audacious mix of ethnography and
sensationalism. The film shows a sequence where several dancers resembling be naked during a ritual. In this regard, Ninon Sevilla revealed:
Pedro Armendáriz had just returned from France, where he filmed "Lucrece Borgia" and counted me that in a scene rubbed a bunch of grapes on the breasts of an actress who was lying on a table and that down there was an actor who drank the juice of the grapes. And that only they could happen to the French. Mmmm I said, in this movie are going to show to the French that here in Mexico too there is imagination. I sent for a bag of black nylon panties in every sizes. On the beach scene did you put to all the dancers, so when lifted their legs, it seemed that they did not bring anything. This goes for the French. ==References==