The Encyclopedia of Unusual Sex Practices lists
sthenolagnia ("sexual arousal from
displaying strength or muscles") and
cratolagnia ("arousal from strength") as
paraphilias associated with the practice of wrestling for erotic purpose, although there have been no studies concerning them. Forensic and Medico-Legal Aspects of Sexual Crimes and Unusual Sexual Practices, the 2008 comprehensive
monograph of
Anil Aggrawal, only defines the two terms, and does not provide any additional information. As with many
BDSM-related practices, the amount of force and pain involved depends on the desires of the participants. While some dominants might use their size and strength to
pin a smaller worshiper, thereby forcing that worshiper to come in contact with the dominant's muscles, others might only display their muscles and allow a worshiper to touch them. Muscle worship is a fetish among some
gay men, giving rise to a number of websites that display
bodybuilders posing for admirers and offering private online posing shows. There are also sites devoted to women who enjoy worshiping male bodybuilders. Many other sites are oriented towards straight men and
lesbian women who enjoy worshipping female bodybuilders and other fit, muscular women, either virtually or by arranging for in-person sessions. In his book
Death, Drugs, and Muscle: Surviving the Steroid Underworld, bodybuilder Gregg Valentino called muscle worship a "taboo subject in the
world of muscle," and noted that
Arnold Schwarzenegger might have participated in muscle worship sessions in the past. In her master's thesis,
Margaret Bourke-White considered
Wilkie Collins' Man and Wife (1870) "a satire on muscle worship," as Collins criticized the excessive "glorification in England...of the mere physical qualities which an Englishman shares with the savage and the brute...[t]he manhood and muscles of England resemble the
wool and mutton of England..." Therefore, muscle worship has also been used in reference to athletocracy, the preference of coaches towards elite athletes, as
Arnold Lunn condemned the "school tradition of muscle worship" his novel
The Harrovians (1913). In a similar vein of criticism,
Kōbō Abe's The Ark Sakura (1984) contains a quarry, populated in part, by the Olympic Prevention League who shout "Down with muscle-worship!" Another critic, Jean-Marie Brohm, holds that muscle worship is part of the "dominant ideology of sport, writing "[a]ll the values of the capitalist jungle are played out in sport: virility, sexual athleticism, physical dominance,
the superman, muscle worship, fascistic
male chauvinism, racism, sexism etc." Dance critic John Martin maintained that
late-19th century dance focused on muscle culture, when "[e]very boy wanted to be a
Sandow, and the muscle that was somehow of primary importance was the biceps." Martin further derided that "when certain spectacular muscles are developed to inordinate size they merely interefere with movement and the body becomes muscle bound." In researching for his 2002 book,
Skipping Towards Gomorrah, Dan Savage received an advance from eventual publisher
Dutton to explore the
seven deadly sins, which included paying "a male escort with a body like an SUV whose specialty was "muscle worship" and who
liked having his feet kissed for $500 an hour." In the documentary
Supersize She,
Joanna Thomas said she could not be a professional bodybuilder and work a job, which is why she had a members only subscription website. One of her photographers said that the people on her website were "attracted to large
biceps and
vascularity, the
veins. It's all about the movement and it's all about the muscles swelling and blood flowing though the muscles." ==See also==