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Castel Nuovo

Castel Nuovo, often called Maschio Angioino, is a medieval castle located in front of Piazza Municipio and the city hall in central Naples, Campania, Italy. Its scenic location and imposing size makes the castle, first erected in 1279, one of the main architectural landmarks of the city. It was a royal seat for kings of Naples, Aragon and Spain until 1815.

History
The origins and the House of Anjou The original nucleus of the estate—partially uncovered through restoration and archaeological excavations—was built on the initiative of Charles I of Anjou. In 1266, after defeating the Hohenstaufens, Charles ascended to the throne of Sicily and moved the capital from Palermo to Naples. The presence of an external monarchy had set the town planning of Naples around the center of the royal power, constituting an alternative urban core, formed by the port and by the two main castles adjacent to it, Castel Capuano and Castel dell'Ovo. This relationship between the royal court and town planning had already manifested itself with Frederick II, Holy Roman Emperor, who in the 13th century, in the Swabian statute had concentrated greater attention on castles neglecting the city walls. To the two existing castles the Anjevins added the main, Castel Nuovo (Chastiau neuf), which was not just a fortification but above all his magnificent palace. From 1343 it was the residence of Joanna I of Naples, who in 1347, fled to France, abandoned it to the assaults of the army of the King Louis I of Hungary. He had come to avenge the death of his brother Andrew, the Giovanna's husband, killed by a palace plot that the queen herself was suspected of instigating it. The castle was looted and on its return the queen was forced to a radical restructuring. During the second expedition of Louis against Naples the castle, where the queen had found refuge, resisted the assaults. In the following years the fortress underwent other attacks: on the occasion of the taking of Naples by Charles III of Naples and then that of Louis II of Naples, who subtracted it from the son of Charles III, Ladislaus of Naples. The latter, regained the throne in 1399, lived there until his death in 1414. Joanna II of Naples succeeded her brother Ladislaus and ascended the throne as the last Anjevin dynasty. The queen, depicted as a dissolute, lustful, bloody woman, would have hosted in her alcove lovers of all kinds and social backgrounds, even rounded up by her emissaries among young, handsome people. To protect her good name, Joanna II would not hesitate to get rid of them as soon as she satisfied her cravings. Precisely for this purpose it has been narrated for centuries that the queen had a secret trapdoor inside the castle: her lovers, having exhausted their task, were thrown into this well and devoured by sea monsters. According to a legend, it would have been a crocodile from the Africa to the castle's dungeons after crossing the Mediterranean Sea, the perpetrator of the horrendous death of the Joanna's lovers. Conspiracy of the Barons The Conspiracy of the Barons was a movement of reaction against the policies of centralization of the State adopted by the new sovereign dynasty of Naples, i.e. the Aragonese. The lawsuits against Ferdinand I of Naples were that these began the recovery of populated areas, taking them away from the Barons' property and supplying them with that of the Aragonese court. In fact, the maneuver was a royal delivery of power. The internal struggle between barons and dynasty took place in a political and hidden manner and the same culminated definitively in 1487 in the homonymous hall of the Castel Nuovo. Ferdinand I of Naples, during his throne, he found himself facing the barons, beating them in skill and cunning after plots, assassins and double games. , with Castel Nuovo in center left Spanish rule The castle was again looted by Charles VIII of France, during his expedition in 1494. First with the fall of Ferdinand II of Naples (1496) and later of Frederick of Naples (1503), the kingdom of Naples was annexed to the Kingdom of Spain by Ferdinand II of Aragon, who established the Viceroyalty of Naples. The Castel Nuovo lost its function as a royal residence, becoming a military garrison, due to its strategically important position. However, it hosted the Kings of Spain who came to visit Naples, like Charles V, Holy Roman Emperor, who lived there for a short time in 1535. Neapolitan Republic The last important event dates back to 1799, when it was proclaimed the birth of the Parthenopean Republic (Neapolitan Republic). Renovated for the last time in 1823 by Ferdinand I of the Two Sicilies, it later hosted the "artillery arsenal" and a "pyrotechnic office" which in 1837 estimated to be more prudent transfer of the guns factory of the Torre Annunziata. 20th century In the 1920s was made the wide range of flower gardens that ran along the Maschio Angioino until the end-20th century: in the early months of 1921 Count Pietro Municchi, an engineer then councilor of urban decor, presented to the City Council the proposal for the isolation of the Castel Nuovo. Finally the Italian State obtained the entire castle for civil purposes, the works began in 1923 and also affected the factories and warehouses built near the square in place of the demolished bastions: already the following year all the various buildings were eliminated and the esplanade was created where gardens were built on the side of current Vittorio Emanuele III street. Only the door of the citadel was saved, the original Aragonese access to the complex, rebuilt in 1496 by Frederick of Naples (as evidenced by its emblem on the arch): isolated and distorted of its function, is visible among the flower garden square along Via Vittorio Emanuele III. The work related to the restoration of the castle, which eliminated the many superficies added over time, lasted until 1939. ==People who have lived in the castle==
People who have lived in the castle
The Castel Nuovo, in the course of its history, has been used several times as a temporary residence to host illustrious personalities who went to Naples as guests of the royal court or on an official visit. Among the main personalities, beside Neapolitean, Aragonese and Spanish monarchs, are: Giovanni Boccaccio, Giotto, Pope Boniface VIII, Pope Celestine V and Petrarch. == Description ==
Description
The castle most of it reconstructed by Alfonso V of Aragon has an irregularly trapezoidal plan and was defended by five large cylindrical towers, four covered with piperno and one with tuff, and crowned with merlons on brackets. The three towers on the side facing the ground, where the entrance is located, are the tower of San Giorgio, the tower of Mezzo (which collapsed at 11:30 am on 4 August 1876) and the tower of Guardia (from left to right), while the two on the side facing the sea they take the name of the tower dell'Oro and the tower of Beverello (from the left to the right). The castle is surrounded by a moat and the towers rise on large embankments, in which the texture of the stone blocks takes on complex designs, recalling Catalan Mallorcan examples. Corinthian columns flank the entrance, while the first level sculpture depicts a triumphal quadriga leading Alfonso parading. The sculptors included Isaia da Pisa, Merliano, Domenico Gagini, Andrea Fiorentino, a pupil of Donatello, and Silvestro dell'Aquila. Sculptors from Aragon also contributed to the work. The center has a shield with the symbols of Aragon. The Frieze below reads: ALFONSVS REX HISPANVS SICULVS ITALICUS PIVS CLEMENS INVICTUS Above it reads: ALFONSVS REGUM PRINCEPS HANC CONDIDIT ARCEM The second upper arch is surmounted by Lions and four niches with statues depicting the virtues of Alfonso. Above this is a rounded lintel with two genii with horns of plenty surmounted by Alfonso in attire of a warrior. This cornice was meant for an equestrian statue. The three statues of St Michael, St Anthony the Abbot, and St Sebastian, and the two recumbent ones, on the summit of the arch, are by Giovanni da Nola. The bronze doors at the arch were executed by the monk Guglielmo of Naples, and represent in various compartments the victories of Ferdinand I over the Duke of Anjou and the rebellious barons. Palatine chapel On the side of the castle facing the sea is the back wall of the Cappella palatina, or church of San Sebastiano or that of Santa Barbara, the only surviving element of the 14th century Anjevin castle. Although was damaged in the earthquake of 1456, the chapel was later restored. The façade on the inner courtyard has a Renaissance portal with reliefs by Andrea dell'Aquila and by Francesco Laurana and a rose window, rebuilt in the Aragonese period by the Catalan Matteo Forcimanya to replace that of the 14th-century destroyed by an earthquake. and, once dead, was stuffed and hooked on the entrance door of the castle. This legend may be the source of the popular assumption that all castle-moats have crocodiles or other man-eating animals in works of fiction. In the Pit of the Barons instead, four coffins are presented to the visitors without any inscription and are probably those of the nobles who took part in Conspiracy of the Barons in 1485. == Civic museum ==
Civic museum
Inside the Castel Nuovo there is a museum itinerary inaugurated in 1990 which starts from the 14th-century Palatine Chapel, passing through the Armory Room up to the first and second level of the castle, the latter destined for painting and sculpture. On the first floor there are frescoes and paintings essentially of religious commissions, belonging from the 15th to 18th centuries. There are paintings by important Caravaggisti artists as Battistello Caracciolo and Fabrizio Santafede, and important exponents of the Neapolitan Baroque, as Luca Giordano, Francesco Solimena and Mattia Preti. On the second floor there are exhibited works ranging from the 18th to 20th centuries. The exhibition follows a thematic order: history, landscapes, portraits, views of Naples. Other halls of the castle, such as the Hall of Charles V and the Loggia Room, are finally destined for temporary cultural exhibitions and initiatives. == Library of the Neapolitan Society of Homeland History ==
Library of the Neapolitan Society of Homeland History
On the second floor and on the third floor is the Library of the Neapolitan Society of Homeland History. The library has book, iconographic, documentary and parchment collections. It is a private library, therefore access is governed by rules set by the Articles of Association and prescribed in the Rules. The library contains one of the first books printed in Italy (the fourth), the De civitate Dei of Augustine of Hippo made in June 1467 at Subiaco by two German clerics: Arnold Pannartz and Konrad Sweynheim. ==See also==
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