Music of the Isle of Man

Little can be determined about the character of music on the Isle of Man prior to the 15th century. There are many carved crosses from this era, but they depict a total of two musicians, one lur player and a harpist. Songs from this era may have had Scandinavian origins; some also bear similarities to Irish and Scottish music. The song (the Manx sword dance) is very similar to a lullaby from the Hebrides and is also said to have been a ritual dance during the Scandinavian era. The earliest written evidence describes fiddle music and a variety of folk dances. There was no harp tradition as was otherwise prevalent in Celtic music. English folk songs were very popular, later including broadside ballads, jigs and reels. Also extant were traditional Gaelic psalm-singing and other church music. According to Fenella Bazin, "...[E]vidence from written sources shows that the Manx were enthusiastic dancers and musicians, often appearing in the ecclesiastical courts on charges on making music on Saturday nights or after church on Sundays." It was traditional to sing Arrane Oie Vie (Good-night Song) on the way home. Ballads The ballad ''Ushtey Millish 'sy Garee relates to the old practice of summoning a jury of 24 men to decide questions connected with water-courses, boundaries, etc. and is dated to sometime prior to 1777. A bardoon was a locally composed song about the loss of a loved one at sea. Yn Chenn Dolphin'' (The Old Dolphin) is a tale about a shipwreck. ==19th century==

Church music is the most documented Manx music of the 19th century. Lining out was a common technique, as it was throughout Great Britain and Ireland. West gallery musicians performed for special occasions, using locally composed or well-known compositions. Organs were a later importation that became standard in most of the island's churches. The first mention of an organ on the island is associated with St George's church, Douglas in September 1781. The first collection of Manx church songs was printed in 1799, and was followed by many other collections, though it was not until the 1870s and 1880s that Manx music began to be published in any great quantity, as drawing-room ballads, religious songs, and choral arrangements all became popular. The proliferation of this music coincided with a boom in the tourism industry for the island, and Manx music-hall and dance-hall songs and dances saw increased demand. Manx language songs, in particular, benefited from the Gaelic revival from the 19th century onwards. ==20th century==

A notable musical episode in the Isle of Man was the imprisonment between 1940 and 1941 of many German musicians of Jewish extraction in Hutchinson Internment Camp on the island. These included Hans Gál (who composed there works for performance by the camp orchestra), Egon Wellesz, and Marjan Rawicz. Though West Gallery music continued into the 1950s, by the 20th century instrumental music accompanied most worship on the Isle of Man. Later in the 20th century, Manx church musical traditions slowly declined. The legacy of immigration, from England and elsewhere, has brought in many new styles of music to the island. Some of the last native Manx speakers, including Ned Maddrell, were recording singing traditional songs. In 1909, the Austrian ethnologist Rudolf Trebitsch made several recordings, as did the Irish Folklore Commission in 1948. ==Future==

Culture Vannin has a dedicated Manx Music Development Team comprising a Manx music specialist, who works with the island's Department of Education, Sport and Culture to encourage the development of Manx music in the school curriculum, and a Manx Music Development Officer, who works to promote Manx music and dance in the wider community. CDs by bands, soloists and Gaelic choirs are produced. ==Manx Music Festival==

The Manx Music Festival is an annual music festival held at the end of each April in Douglas. It was founded in 1892 by the "Mother of Manx Music" M. L. Wood after music classes were included in the Fine Arts and Industrial Guild, after which the festival gets its colloquial name of "The Guild". Local people and visitors are invited to take part in various singing, instrumental, drama and public speaking classes. At the close of the festival, winners of the individual voice categories compete to win the Cleveland Medal, first donated in 1923 by the Cleveland Manx Society. The first performance of the Manx National Anthem occurred at The Guild in 1907, accompanied by Harry Wood's Orchestra. ==Special projects==

In November 2014 Culture Vannin, a government sponsored entity, brought together musicians from Norway and the Isle of Man to produce the Norwegian-Manx Collaboration featuring traditional music and providing an educational tour around the Isle of Man. The collaboration featured Manx musicians Tom Callister, Ruth Keggin and David Kilgallon, as well as Norwegian musicians Erlend Apneseth and Margit Myhr. ==Notes==