Box Office The film made a relatively small loss for Universal. Critic and writer
James Agee writing in
The Nation in 1948 characterized it as "A feast for the self-righteous; Ibsen for beginners; for the morally curious a sad bore. By the standards of the Screen Writers' Guild this sort of thing is the white hope of Hollywood. Entirely well-intended and sincerely acted; but not an interesting play, and certainly not a movie."
Pauline Kael wrote: "Arthur Miller conceived this idea-ridden melodrama... Surprisingly, it does work up some energy, but by then you have to be a little saintly to care."
Leonard Maltin gave it three of four stars: "Post-WW2 drama is well acted, but verbose and preachy."
Leslie Halliwell gave it one of four stars: "Heady family melodrama from a taut and topical stage play. The film is well-meaning but artificial and unconvincing."
Accolades Nominations •
Writers Guild of America Award: Best Written American Drama – Chester Erskine; The Robert Meltzer Award (Screenplay Dealing Most Ably with Problems of the American Scene) – Chester Erskine; 1949. ==References==