Students Khan taught many disciples, several of whom achieved regional and international recognition. These include: •
Haider Khan, younger brother •
Bhaskarbuwa Bakhale •
Govindbuwa Shaligram •
Govindrao Tembe •
Wamanrao Sadolikar •
Tribhuvandas Jariwala •
Shankarrao Sarnaik •
Abdul Majid Khan,
sarangiya •
Qamaruddin "Natthan" Khan, nephew (son of Haider Khan) •
Nasiruddin "Badeji" Khan, eldest son •
Badruddin "Manji" Khan, middle son •
Shamsuddin "Bhurji" Khan, youngest son •
Kesarbai Kerkar •
Mogubai Kurdikar •
Gulubhai Jasdanwalla •
Tanibai Ghorpade "Ghorpadebai" •
Leelabai Shirgaonkar •
Sushila Rani Patel •
"Baba" Azizuddin Khan, grandson (son of Bhurji Khan) •
Nivruttibuwa Sarnaik Ragas Khan authored or revived many ragas. These include: •
Raga Sampurna Malkauns •
Raga Basanti Kedar, a
jod raga of
Basant and
Kedar •
Raga Savani Nat, a jod raga of
Savani and Shuddha Nat. •
Raga Savani Kalyan, a jod raga of Savani and
Yaman. •
Raga Bhoop Nat, a jod raga of
Bhoopali and Shuddha Nat. •
Raga Pat Bihag, a jod raga of
Patdeep and
Bihag. •
Raga Daguri •
Raga Godhani •
Raga Gaud Lalit •
Raga Uniyari Compositions Khan was known to have composed
khayals,
dhrupads, and
dhamars that have become staples for the Jaipur-Atrauli repertoire and certain ragas. These include: •
Raga Maligaura khayal in
madhyalaya teentala, "Darasa sarasa deta dukha bisarana ko." •
Raga Barari khayal in
vilambit teentala, "Kaise kara āūṃ re." • Raga Barari khayal in vilambit teentala, "So jāna re meharbāna." •
Raga Vihang khayal in vilambit teentala, "Ālī tai kīnī moso āja nayī chaturāī." •
Raga Shuddha Kalyan khayal in vilambit
ada chautala, "Alī mohe manāvana piyaravā." •
Raga Khem Kalyan khayal in vilambit
ikwai, "Bālamavā tuma bina raina dinā." •
Raga Jait Kalyan khayal in vilambit teentala, "E samajha manā." •
Raga Hem Nat khayal in vilambit teentala, "Re karatāra
Karīma." •
Raga Shankara khayal in vilambit teentala, "Anāhata nāda ko bheda nā pāyo." •
Raga Daguri khayal in vilambit
rupak, "Ālī rī bīra
Mohana." •
Raga Jaijaiwanti khayal in
jhaptala, "E ālī piyā āe mere." •
Raga Sindhura khayal in vilambit teentala, "Ālī rī mere āe piyaravā." •
Raga Sorath khayal in jhaptala, "Sakhī bina piyā more jiyā kal nāhī." •
Raga Desh khayal in vilambit teentala, "Sakhī Mohana Mohanī dārī." •
Raga Jhinjhoti khayal in ada chautala, "Erī ālī bhāga jāge jāge." •
Raga Malkauns khayal in vilambit teentala, "E mana rabā sāī." •
Raga Kaushi Kanada (Nayaki-anga) in vilambit teentala or rupak, "Ālī rī jāe kaho." •
Raga Adana khayal in jhaptala, "Mubāraka ho." •
Raga Bhankar khayal in rupak, "Ek same harane
Hara ke." •
Raga Malavi khayal in jhaptala, "Anga sugandha ranga rupa ko." •
Raga Gaud Lalit khayal in vilambit teentala, "Saba rasika āna mile." •
Raga Uniyari khayal in vilambit teentala, "Ranga mahal rama raho manabhāvana." •
Raga Hussaini Kanada khayal in vilambir teentala, "Nirākāra karatā." •
Raga Kukubh Bilawal khayal in jhaptala, "Dhana āja dulhā." •
Raga Patmanjari khayal in vilambit teentala, "Bāīn ānkha morī." •
Raga Khambavati khayal in madhyalaya teentala, "Eri māī piyā ajahun na āe."
Music Festivals The
Annual Ustad Alladiya Khan Music Festival is celebrated in Mumbai and Dharwad each year, where several singers and musicians perform, giving homage to Alladiya Khan.
Recordings Khan was adamant about not having his voice and style recorded for fear of copyright. Though, there have been suspicions that ambiguous recordings may belong to Khan or his kin. A recording of a thumri is alleged to be featuring Khan singing.
In popular culture In 2007, the story of Dhondutai Kulkarni, disciple of the legendary Bhurji Khan, was the subject of Namita Devidayal's debut novel,
The Music Room. ==Further reading==