Heinz Rein

Heinz Rein worked as a bank clerk in the 1920s after completing a banking apprenticeship. He later worked as a sports journalist. Because of his political commitments, the National Socialist rulers imposed a writing ban on him in 1934; consequently, in 1935, Rein became unemployed During the war, he was subject to compulsory service at the German National Railway and at times Rein was in Gestapo detention. == Career ==

Rein wrote literary criticism that was published in 1947/48 in the Socialist Unity Party of Germany (GDR) magazine Einheit - Theoretical Monthly Journal for Socialism. In addition, Rein wrote novels and short stories, reflecting contemporary history. In 1949, he published the anthology Unterm Notdach, Berlin Tales. In 1950, according to preliminary remarks on behalf of the chairman of the Cultural Advisory Board, Erich Weinert, an attempt was made to survey the narrative prose that appeared in Germany after the war and was published under the title The New Literature. In addition to his own contributions, the work contains two reviews of Berlin Finale, by Hans Mayer (pp. 315–319) and by Walter A. Berendsohn (pp. 319–324). Initiated by Johannes R. Becher, a campaign was launched against the new literature in GDR magazines, which led to the publisher taking the book off the market and Rein's membership of the Cultural Advisory Board was suspended. He then lived as a freelance writer in the GDR. After breaking with the GDR in the early 1950s, he moved to West Germany. There he lived in Baden-Baden until his death. His books on the end of the war and the immediate postwar period in Berlin, made him an East German representative of rubble literature (Trümmerliteratur). In the GDR, some of his books were printed with difficulty and with a delay. After moving to the West, he wrote mainly short stories, but also satires and cabaret texts. Fritz J. Raddatz wrote an afterword for the new edition of Berlin Finale in 2015. and was one of the first German bestsellers of the postwar period. The novel has been translated into English three times. In 1952, it was published by MW Books as Finale Berlin in an abridged translation by David Porter, representing about one-third of the German text. In 2015, it was published by Schöffling & Co. as Berlin Finale in a translation by Geoff Wilkes. In 2019, it was published in the Penguin Modern Classics series as Berlin Finale, in a translation by Shaun Whiteside. ==Works==

• Berlin 1932, Berlin 1946 • Finale Berlin, Dietz, Berlin 1947 • Finale Berlin. Revised and improved by the author. Büchergilde Gutenberg, 1980 • Finale Berlin. Translated by David Porter. MW Books. 1952 • Berlin Finale. Translated by Geoff Wilkes, with an epilogue by Fritz J. Raddatz. Schöffling & Co. 2015 , • Berlin Finale. Translated by Shaun Whiteside. Penguin Modern Classics 2019. • Neuauflage: Schöffling, Frankfurt am Main 2015, . • daraus: 2 Erzählungen: Februartag 1945. Klopfzeichen VVN, Berlin 1948 • Mädchen auf der Brücke, Berlin 1948 • Die neue Literatur. Versuch eines ersten Querschnitts. Berlin 1950 • In einer Winternacht, Berlin 1952 (geschrieben 1948/49) • Nur ein Vogelnest, Gütersloh 1964 • Die bittere Frucht, Sankt Michael 1984 • Signorina Rita wird ausgeliehen, Berlin 1988 • Zwei Trümpfe in der Hinterhand, Frankfurt 1988 • Ohne Rücksicht auf Verluste, Klagenfurt 1988 • Die Sintflut hat sich nicht verlaufen, Frankfurt 1988 • Der Sommer mit Veronika, Bad Salzuflen 1988 • Keine Corrida mehr, Neckargemünd 1989 • Wer einmal in den Fettnapf trat, Erftstadt 1989 • Ein Anti-Knigge, Klagenfurt 1991 • Die Freundschaft mit Hamilton 1975 == References ==