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Piano pedagogy

Piano pedagogy is the study of the teaching of piano playing. Whereas the professional field of music education pertains to the teaching of music in school classrooms or group settings, piano pedagogy focuses on the teaching of musical skills to individual piano students. This is often done via private or semiprivate instructions, commonly referred to as piano lessons. The practitioners of piano pedagogy are called piano pedagogues, or simply, piano teachers.

Professional training
The range of professionalism among teachers of piano is undoubtedly wide. "Competent instruction is not always assured by the number of years one has taken lessons", warned piano pedagogue and writer of numerous pedagogical books, James Bastien. The factors which affect the professional quality of a piano teacher include one's competence in musical performance, knowledge of musical genres, music history and theory, piano repertoire, experience in teaching, ability to adapt one's teaching method to students of different personalities and learning styles, education level, and so on. Musicians without degrees in piano pedagogy In the United States, piano lessons may be offered by teachers without higher education specifically focused in piano performance or piano pedagogy. Some teachers may hold degrees in another discipline in music, such as music education or another performance area (voice, orchestral instrument, etc.). Other teachers, without higher education in music, may have studied piano playing independently or have been self-taught. Undergraduate and graduate studies in piano pedagogy The field of piano pedagogy may be studied through academic programs culminating in the attainment of a bachelor, master, or doctoral degree at music colleges or conservatories. The undergraduate level may require many years of prior piano studies and previous teaching experience as prerequisites for application. At the graduate level, many schools require applicants to have some teaching experience and at least a bachelor of music or equivalent experience in piano performance and/or pedagogy. Although virtually all piano pedagogy programs include a significant portion of performance requirement, the pedagogy major may be distinct from the performance major at some schools. Some members of the latter group may have the option to take courses in the teaching of piano, but not all do. Professional organizations in the United States Many piano teachers hold memberships in professional organizations, to maintain their commitment to pedagogy and to network with peers and others in music. These organizations often offer teachers' workshops, conferences, mentorship programs, publications on piano pedagogy, and opportunities for scholarships, competitions, and performances for the students of members. Some prominent organizations in the United States include: • American Council of Piano Performers – ACPP • Music Teachers National Association – MTNA • National Federation of Music Clubs • National Guild of Piano Teachers • Piano Teachers Congress of New York Professional Organizations in Canada The main organization that offers certificates and testing curriculum in Canada is Royal Conservatory of Music. There are three levels in their certificate program; elementary, intermediate and advanced. Elementary pedagogy certificate enables teachers to teach beginners up to grade two piano, while intermediate certificate allows teachers to teach up to grade 6 piano. Advanced piano pedagogy is known as "ARCT" (Associate of Royal Conservatory of Toronto), which enables teachers to teach up to grade 10. There are also a number of theory and history examinations that accompany each certificate program which must be completed. There is also a Piano Teachers Federation based in Vancouver, British Columbia. == Notable piano pedagogues in history ==
Notable piano pedagogues in history
Johann Nepomuk Hummel (Austria, 1778–1837) • Carl Czerny (Austria, 1791–1857) • Carl Philipp Emanuel Bach (Germany, 1714–1788) • Maria Szymanowska (Poland, 1789–1831) • Frédéric Chopin (Poland, 1810–1849) • Theodor Leschetizky (Poland, 1830–1915) • Franz Liszt (Hungary, 1811–1886) • Tobias Matthay (England, 1858–1945) • Nadia Boulanger (France, 1887–1979 • Heinrich Neuhaus (Russia, 1888–1964) • Dimitri Bashkirov (Russia, 1931–2021) • Neil A. Kjos (US, 1931–2009) Illinois, known for the James Bastien books • Abby Whiteside (US, 1881–1956) • Dorothy Taubman (US, 1917–2013) • Isidor Philipp (France, 1863–1958) • Harold Bradley (Canada 1906–1984) • Frances Clark (US, 1905–1998) • Fanny Waterman (England, 1920-2020) • Stefan Ammer (Germany, 1942–) • Ilana Vered (Israel, 1943–) • Peter Arnold (United Kingdom) • Graham Fitch (United Kingdom) == Topics of study ==
Topics of study
Piano pedagogy involves the study and teaching of motor, intellectual, problem-solving, and artistic skills involved in playing the piano effectively. Rhythm Teaching rhythm is important for the student to be able to learn a piece accurately, and also to confidently perform a practiced piece. Developing an internal metronome plays a significant role when teaching rhythm. Teachers may encourage students to count out loud when practicing, or practice with a metronome to develop a steady internal beat. Notation Learning to read music is a critical skill for most pianists. There are generally three approaches to teaching students to read music, although combined approaches are increasingly common. The "Middle C Method", a "single note identification" method, was the most commonly taught method through the 20th century. It was introduced by W.S.B. Mathews in 1892 but popularized by Thompson's Modern Course for Piano (1936). "Middle C" teaches positions relative to the middle C; in other "single note identification" methods, other notes might be used. The "intervocalic method", developed by Frances Clark with her Time to Begin (1955) curriculum, teaches recognition of patterns, and adds "landmark notes". The "multi-key method", developed by Robert Pace and published in 1954, teaches students all major and minor keys fairly quickly. Technique Good piano playing technique involves the simultaneous understanding in both the mind and the body of the relationships between the elements of music theory, recognition of musical patterns in notation and at the fingertips, the physical landscape of the entire range of the keyboard, finger dexterity and independence, and a wide range of touch and tone production for a variety of emotional expressions. Skills in all of these areas are typically nurtured and developed for the sake of expressing oneself more effectively and naturally through the sound of the piano, so that the elements of technique will sound alive with musicality. One way to do so is to make up stories full of different emotions through improvising, in order to reinforce music theory concepts already introduced and to develop a wide range of touch and tone production. Repertoire Well-known keyboard works written with special attention for pedagogical purposes in mind include: • Notebook for Anna Magdalena Bach (1725) by family and friends of J.S. BachKlavierbüchlein für Wilhelm Friedemann Bach, Little Preludes and Fugues, Inventions and Sinfonias, & the Well-Tempered Clavier by J.S. Bach • Sonatinas by Muzio ClementiAlbum For the Young, Op. 68 (1848) by Robert Schumann • Album For the Young, Op. 39 (1878) by Pyotr Ilyich Tchaikovsky • Music for Children, Op. 65 (1935) by Sergei Prokofiev • Pieces by Igor Stravinsky, Dmitri Kabalevsky and Aram KhatchaturianMikrokosmos, Sz. 107, BB 105 (1926–39) by Béla Bartók == Venues offering instruction in piano playing ==
Venues offering instruction in piano playing
The teaching of piano playing most often take place in the form of weekly private lessons, in which a student and a teacher have one-on-one meetings. Instructions may sometimes be offered semi-privately (one teacher meeting with a small group of two or more students) or in classes of larger groups, in other intervals of time. Piano lessons are offered in a variety of different settings, including the following: • Studios of independent piano teachers • Piano and music stores • Community music schools • Continuing education programs • Preparatory division of music colleges or conservatoriesMusic colleges or conservatories • Online Distance-learning Courses • In-home/mobile music schools that travel to student's homes == See also ==
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