A circular shelter (screen wall) around 35 m high surrounds the central obelisk.
Sculpture group The sculpture group includes a woman without her
bonnet, with her emaciated, dying child in her lap. A second woman goes to the distance, calling on the Lord to see the tragedy. The inspiration for the scene was described in a poignant way by Hobhouse, referring to a scene in Springfontein where a woman would not look at her starving child, experiencing a pain beyond all tears. A second message comes from the child's eyes: her child is dead, but her willpower is not dead and her people is not extinct. Hobhouse (a woman of many talents) did not hold Van Wouw in high regard as a sculptor and spoke critically of the final product. She held that images did not do justice to the pitiful scene portrayed, feeling the child looks asleep rather than at death's door.
Significance The Women's Monument enjoyed great popularity, but was eventually overshadowed by the
Voortrekker Monument, erected 36 years later in
Pretoria on December 16, 1949, as a national symbol. The Voortrekker Monument came a year after the victory of the
National Party in the
1948 South African general election and coincided with the centennial of the
Great Trek. In contrast, the controversy surrounding the Women's Monument delayed its recognition on a national scale. == School use of the monument ==