Critics greeted
Native Son's 1941 premiere warmly, especially praising Canada Lee's turn as Bigger Thomas. Said Rosamond Gilder in
Theatre and Arts, May 1941: “Much of what is important in the novel but is lost in the play—the profound subjective exposure of the Negro's unconscious motivations- is restored by the actor's performance. Bigger's smouldering resentment against the world as he has always known it; his unreflecting violence breaking out even more easily against the things he loves—his mother, his friends, his girl—than against the things he hates; his profound frustration stemming from the denial of his right to live.”
The New York Times said it was "powerful" and "exciting".
Time called it "the strongest play of the season". Aljean Harmet, writing in
The New York Times, stated, “the play got excellent reviews and did good business.” ==References==