The first two issues of
Nebula contained the two novels Hamilton had bought before changing his plans from a paperback series to a magazine:
Robots Never Weep by
E.R. James, and
Thou Pasture Us by
F.G. Rayer. These left little room for other material, but Hamilton was able to reprint a short story by
A. E. van Vogt in the first issue, and stories by John Brunner and
E. C. Tubb in the second issue, along with material by lesser known writers. There was also a column by
Walt Willis called "The Electric Fan", later renamed "Fanorama", which covered
science fiction fandom. Many of the better-known British writers began to appear in
Nebula, including William F. Temple and
Eric Frank Russell; new authors also began to be published. Hamilton was glad to work with beginning writers, and in 1953 several writers who later became very well known, including
Brian Aldiss,
Barrington Bayley, and
Bob Shaw, each sold their first story to
Nebula. Brian Aldiss echoes Silverberg's assessment of Hamilton, commenting that Hamilton was "a sympathetic editor to a beginner. He was also a patient editor." Cover art came from artists such as Gerard Quinn, and included some of
Eddie Jones' earliest work. According to sf historian Philip Harbottle, the best of the Scottish artists that Hamilton worked with was
James Stark, who painted nine covers for
Nebula between 1956 and 1958; sf artist and art historian
David Hardy describes Stark's work as "severe portrayals of technology against which men were mere ants". Interior artists included
Harry Turner, whose work is described by Harbottle as "visually striking" and "semi-impressionistic". From the October 1954 issue the back cover was given over to black and white artwork, often drawn by
Arthur Thomson. and Bulmer recalls that, overall,
Nebula "created a special kind of charisma that, in the view of many writers and readers, no other magazine ever had", and adds that it became "what many fans regard as the best-loved British SF magazine". Tubb, who sold many popular stories to Hamilton, comments that "Authors wrote for
Nebula with financial reward taking secondary place; the desire of submitting a good story being of primary importance ... the writers and the contributors felt as if
Nebula was 'their' magazine, and all that became a happy, well-integrated family." ==Bibliographic details==