Critical reception On 7 December 2016, the film was named to the
Toronto International Film Festival's annual Canada's Top 10 list. In
The Globe and Mail, Julia Cooper called the film "electric," combining fiction and biography.
The Montreal Gazette's T'cha Dunlevy awarded the film four stars, praising Mackay for "a towering performance" and finding dimensions in the story. In
La Presse, Chantal Guy gave the film three and half stars, saying Émond avoided a giving sad and dull take on Arcan's suicide, and credited Mackay for her energetic efforts. In
Voir, Jean-Baptiste Hervé said Mackay's performance had great impact and the film transcended the typical biographical film. Martin Gignac, writing for
Métro, found the film intelligent and emotionally distant. Conversely, Sophie Durocher wrote in
Le Journal de Montréal that she was disappointed with the film's derivative style, whereas Arcan had a unique voice.
Analysis In
Le Devoir,
University of Sherbrooke Professor Isabelle Boisclair and PhD student Catherine Dussault Frenette wrote that the film was a biography of Arcan, but the real Arcan was not interested in a biographical approach. They felt the film confined Arcan to a certain character.
Université du Québec à Montréal Professor Martine Delvaux judged the film to be a study on various ways of seeing Arcan, as her original identity of Isabelle Fortier, as alter ego "Cynthia," as the public Nelly Arcan, and as Émond's invention. Delvaux, who had met Arcan personally, concluded the film did not truly reveal who Arcan was.
Accolades ==References==