MarketNeon lighting
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Neon lighting

Neon lighting consists of brightly glowing, electrified glass tubes or bulbs that contain rarefied neon or other gases. Neon lights are a type of cold cathode gas-discharge light. A neon tube is a sealed glass tube with a metal electrode at each end, filled with one of a number of gases at low pressure. A high potential of several thousand volts applied to the electrodes ionizes the gas in the tube, causing it to emit colored light. The color of the light depends on the gas in the tube. Neon lights were named for neon, a noble gas which gives off a popular orange light, but other gases and chemicals called phosphors are used to produce other colors, such as hydrogen (purple-red), helium, carbon dioxide (white), and mercury (blue). Neon tubes can be fabricated in curving artistic shapes, to form letters or pictures. They are mainly used to make dramatic, multicolored glowing signage for advertising, called neon signs, which were popular from the 1920s to 1960s and again in the 1980s.

History and science
containing neon, which was first displayed by Ramsay and Travers; "Ne" is the symbol for neon, one of the chemical elements. |alt=Photograph of glass tube that's been bent to form the connected letters "Ne". The tube is glowing brightly with a red color. Neon is a noble gas chemical element and an inert gas that is a minor component of the Earth's atmosphere. It was discovered in 1898 by the British scientists William Ramsay and Morris W. Travers. When Ramsay and Travers had succeeded in obtaining pure neon from the atmosphere, they explored its properties using an "electrical gas-discharge" tube that was similar to the tubes used today for neon signs. Travers later wrote, "the blaze of crimson light from the tube told its own story and was a sight to dwell upon and never forget." The procedure of examining the colors of the light emitted from gas-discharge (or "Geissler" tubes) was well known at the time, since the colors of light (the "spectral lines") emitted by a gas discharge tube are, effectively, fingerprints that identify the gases inside. Immediately following neon's discovery, neon tubes were used as scientific instruments and novelties. However, the scarcity of purified neon gas precluded its prompt application for electrical gas-discharge lighting along the lines of Moore tubes, which used more common nitrogen or carbon dioxide as the working gas, and enjoyed some commercial success in the US in the early 1900s. After 1902, Georges Claude's company in France, Air Liquide, began producing industrial quantities of neon as a byproduct of the air liquefaction business. From December 3 to 18, 1910, Claude demonstrated two large ( long), bright red neon tubes at the Paris Motor Show. |alt=Photograph of a large painted sign in the form of a cowboy. The cowboy is winking his eye. His left hand is lifted, and he's pointing that thumb towards the building to his right. A lighted cigarette dangles from the corner of his mouth. He's wearing a cowboy hat, boots, and a scarf. Glowing neon tubes highlight the outlines. These neon tubes were essentially in their contemporary form. The outer diameters for the glass tubing used in neon lighting ranges from 9 to 25 mm; with standard electrical equipment, the tubes can be as long as . The pressure of the gas inside ranges from 3 to 20 Torr (0.4–3 kPa), which corresponds to a partial vacuum in the tubing. Claude had also solved two technical problems that substantially shortened the working life of neon and some other gas discharge tubes, and effectively gave birth to a neon lighting industry. In 1915, a US patent was issued to Claude covering the design of the electrodes for gas-discharge lighting; this patent became the basis for the monopoly held in the US by his company, Claude Neon Lights, for neon signs through the early 1930s. Claude's patents envisioned the use of gases such as argon and mercury vapor to create different colors beyond those produced by neon. For instance, mixing metallic mercury with neon gas creates blue. Green can then be achieved using uranium (yellow) glass. White and gold can also be created by adding argon and helium. In the 1920s, fluorescent glasses and coatings were developed to further expand the range of colors and effects for tubes with argon gas or argon-neon mixtures; generally, the fluorescent coatings are used with an argon/mercury-vapor mixture, which emits ultraviolet light that activates the fluorescent coatings. A Smithsonian Institution website notes, "These small, low power devices use a physical principle called 'coronal discharge'." Moore mounted two electrodes close together in a bulb and added neon or argon gas. The electrodes would glow brightly in red or blue, depending on the gas, and the lamps lasted for years. Since the electrodes could take almost any shape imaginable, a popular application has been fanciful decorative lamps. Glow lamps found practical use as electronic components, and as indicators in instrument panels and in many home appliances until the acceptance of light-emitting diodes (LEDs) starting in the 1970s." Although some neon lamps themselves are now antiques, and their use in electronics has declined markedly, the technology has continued to develop in artistic and entertainment contexts. Neon lighting technology has been reshaped from long tubes into thin flat panels used for plasma displays and plasma television sets. ==Neon tube lighting and signs==
Neon tube lighting and signs
When Georges Claude demonstrated an impressive, practical form of neon tube lighting in 1910, he apparently envisioned that it would be used as a form of lighting, which had been the application of the earlier Moore tubes that were based on nitrogen and carbon dioxide discharges. Claude's 1910 demonstration of neon lighting at the Grand Palais (Grand Palace) in Paris lit a peristyle of this large exhibition space. Overall, however, neon displays became less fashionable, and some cities discouraged their construction with ordinances. Nelson Algren titled his 1947 collection of short stories The Neon Wilderness (as a synonym of "urban jungle" for Chicago). Margalit Fox has written, "... after World War II, as neon signs were replaced increasingly by fluorescent-lighted plastic, the art of bending colored tubes into sinuous, gas-filled forms began to wane." A Dark Age persisted at least through the 1970s, when artists adopted neon with enthusiasm; in 1979 Rudi Stern published his manifesto, Let There Be Neon. Marcus Thielen wrote in 2005, on the 90th anniversary of the US patent issued to Georges Claude, "The demand for the use of neon and cold cathode in architectural applications is growing, and the introduction of new techniques like fiber optics and LED—into the sign market have strengthened, rather than replaced, neon technology. The evolution of the 'waste' product neon tube remains incomplete 90 years after the patent was filed." ==Neon glow lamps and plasma displays==
Neon glow lamps and plasma displays
, which is a neon glow lamp with ten electrodes shaped as the ten numerals. The digits of this tube are 5/8 in. (16 mm) tall.|alt=Sequence of ten photograph of a glass tube. Each photograph is shown for 1 second, and shows a red, glowing numeral. The photographs are presented in the series 0, 1, 2, ..., 9, and then the sequence starts again at 0. In neon glow lamps, the luminous region of the gas is a thin, "negative glow" region immediately adjacent to a negatively charged electrode (or "cathode"); the positively charged electrode ("anode") is quite close to the cathode. These features distinguish glow lamps from the much longer and brighter "positive column" luminous regions in neon tube lighting. hence the distinguishing term cold-cathode lighting. Some of the applications of neon lamps include: Plasma displays emit ultraviolet light, with each pixel containing phosphors for red, green, or blue light. ==Neon lighting and artists in light==
Neon lighting and artists in light
at the exhibition Premonition: Ukrainian Art Now in Saatchi Gallery in London. . The mid to late 1980s was a period of resurgence in neon production. Sign companies developed a new type of signage called channel lettering, in which individual letters were fashioned from sheet metal. While the market for neon lighting in outdoor advertising signage has declined since the mid twentieth century, in recent decades neon lighting has been used consciously in art, both in individual objects and integrated into architecture. Frank Popper traces the use of neon lighting as the principal element in artworks to Gyula Košice's late 1940s work in Argentina. Among the later artists whom Popper notes in a brief history of neon lighting in art are Stephen Antonakos, the conceptual artists Billy Apple, Joseph Kosuth, Bruce Nauman, Martial Raysse, Chryssa, Piotr Kowalski, Maurizio Nannucci and François Morellet List of neon light artistsBilly Apple (1935) New Zealand / USA • Frida Blumenberg (1935) South Africa • Chryssa (1933) Greek-American • Cerith Wyn Evans (1958) Wales • Michael Flechtner (1951) US • Michael Hayden (1943) Canada • Joseph Kosuth (1965) US • Piotr Kowalski (1927) Poland, France • Brigitte Kowanz (1957) Austria • Lili Lakich (1944) US • Mario Merz (1925) Italy • Victor Millonzi (1915) US • Maurizio Nannucci (1939) Italy • Bruce Nauman (1941) US • Bill Parker (1950) US - plasma lamp • Stepan Ryabchenko (1987) Ukraine • Lisa Schulte (1956) US • Keith Sonnier (1941) US • Rudi Stern (1936) US • Tim White-Sobieski (1961) Poland == See also ==
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