Reception for the song has been widely positive by contemporary music critics and journalists. Ludovic Hunter-Tilney, writing for
The Financial Times praised the song as the "right kind of noise". Hunter-Tilney described the song as a satire of violence through the critique of masculinity, while describing the violent sounding noise in the track. He described the song as a "musical maelstrom aimed to shake up norms, but in the cause of self-growth rather than exhausted rock-and-roll rebellion". Olivia White, writing for
The Mancunion called the track a "fan favourite", and described the track as having "relentless vitality". Thomas Gale, writing for
The Oxford Times praised the "cathartic noise" of the track's introduction before launching into the recognisable, raucous punk they're known for. Omerod also felt the song, especially the song as "bright and devastatingly direct. And the lyrics carry a barbed and brutal beauty." Omerod further felt the band's song is "potent, powerful, and enormous fun". Omerod further said "at this point in their career, Idles are so perfect that you might almost want them to retire now. Only that would deny us the possibility of their taking over the world and making everything right. This explosive mix of fierceness, conviction and wit means they can go places others may dare not." == Popular culture ==