In his catalogue essay for the 1977 show and a 1979 expansion of the essay published in the journal
October, Crimp outlined a framework to describe shared themes in the work of the five artists he presented. In general, these were an interest in representational imagery, and references to mass media that the artists explored through "processes of quotation, excerptation, framing, and staging."
The Pictures Generation was not the first major exhibition to examine these artists as a distinct group, but it was the first to focus only on this cohort from a scholarly perspective.
A Forest of Signs: Art in the Crisis of Representation, a 1989 exhibition at the
Museum of Contemporary Art, Los Angeles examined the work of American artists born between 1944 and 1956 who used mass media imagery. Also in 1989,
Image World: Art and Media Culture, an exhibition at the
Whitney Museum of American Art, examined the role of mass media imagery in contemporary art from the 1950s to the 1980s, with the
Pictures Generation artists playing a prominent role. ==Details==