Critical response The original seven-part series was nominated for two
Emmy Awards in 2000, for "Outstanding Achievement in Non-Fiction Programming - Cinematography" and "Outstanding Non-Fiction Series." In addition, Episode Five: Cosmopolis (1919–1931) won an Emmy for "Outstanding Achievement in Non-Fiction Programming - Picture Editing." Also in 2001, the five-part series won an
Alfred I. duPont–Columbia University Award (Silver Baton) for excellence in broadcast journalism. In 2004, the newly completed Episode Eight: The Center of the World (1946–2003) was nominated for a News & Documentary Emmy in the "Outstanding Individual Achievement in a Craft: Music and Sound" category. The film was well received by critics. In a 1999 review of the first five parts, Caryn James of
The New York Times commended the film for its rich visuals, consistent theme, and compelling descriptions of class and racial tensions, especially in the second half of the series. James also criticized the film, however, writing, "Stunning though
New York often is, its indulgent length and pace tests the patience of even its most serious-minded viewers." Caryn James also reviewed the two new episodes released in late September 2001. She found them stronger than the previous five, with more focus and brevity. She also commented on the timeliness of their release following the September 11th attacks, finding the stories of the city's recovery from past disasters reassuring and full of accidental, yet profound meanings. A September 2003 review of the eighth episode in the series, by Alessandra Stanley of
The New York Times, found it full of "intelligent insights and incomparable images," but ultimately, "too much, too late," like the World Trade Center itself. Frank Rich of
The New York Times referred to Episode 8 as, ""... a beautifully realized documentary in which we watch in painstaking detail the building of the World Trade Center from its inception so that we might then experience afresh the violence of its sudden destruction."
Viewership Popular audiences also displayed high interest for the film, with the first five parts alone attracting more than 20 million viewers. ==Home media==