New York Historical

, Pastoral Landscape, 1861 The New York Historical's museum is the oldest in New York City and predates the founding of the Metropolitan Museum of Art by nearly 70 years. Its art holdings comprise more than 1.6 million works. Among them are a world-class collection of Hudson River School paintings, including major works by Thomas Cole and Frederic Edwin Church; iconic genre and history paintings, including works by William Sidney Mount and Eastman Johnson; a vast range of American portraits, including paintings by Rembrandt Peale and Gilbert Stuart; all 435 of John James Audubon's extant preparatory watercolors for The Birds of America; and an encyclopedic collection of more than 800 works documenting the full catalog of representational sculpture in America from the colonial period to the present day. The Historical Society holds an important collection of paintings and drawings by marine artist James Bard. The museum holds much of sculptor Elie Nadelman's legendary American folk art collection, including furniture and household accessories such as lamps, candlesticks, textiles, glass, and ceramic objects, as well as paintings, toys, weather vanes, sculptural woodcarvings, and chalkware. The Historical Society's holdings in artifacts and decorative arts include George Washington's camp bed from Valley Forge, the desk at which Clement Clarke Moore wrote "A Visit from Saint Nicholas", one of the world's largest collections of Tiffany lamps and glasswork, and a collection of more than 550 late 19th-century American board games. The New York Historical also owns several thousand photographs and other images by photographer Bill Cunningham. Its research library contains more than three million books, pamphlets, maps, atlases, newspapers, broadsides, music sheets, manuscripts, prints, photographs, and architectural drawings. Among its collections are far-ranging materials relating to the founding and early history of the nation including the first documentary evidence of the phrase "United States of America"; one of the best collections of 18th-century newspapers in the United States; an outstanding collection of materials documenting slavery and Reconstruction; an exceptional collection of Civil War material, including Ulysses S. Grant's terms of surrender for Robert E. Lee; collections relating to trials in the United States prior to 1860; American fiction, poetry, and belles-lettres prior to 1850; a broad range of materials relating to the history of the circus; and American travel accounts from the colonial era to the present day., 1768. Collection of the New York Historical. The society operates a website showing many images from its collection. In 2015, it announced the digitization and posting of over a thousand negatives by photographer Robert L. Bracklow from the late 19th and early 20th centuries. ==Early history==

The Historical Society was founded on November 20, 1804, largely through the efforts of John Pintard. He was for some years secretary of the American Academy of Fine Arts, as well as the founder of New York's first savings bank. He was also among the first to agitate for a free school system. The first meeting comprised 11 of the city's most prominent citizens, including Mayor DeWitt Clinton. At the meeting, a committee was selected to draw up a constitution, and by December 10, the Historical Society was officially organized. According to the Historical Society's first catalogue, printed in 1813, the museum then held 4,265 books, as well as 234 volumes of United States documents, 119 almanacs, 130 titles of newspapers, 134 maps, and 30 miscellaneous views. It had already collected the start of a manuscript collection, several oil portraits and 38 engraved portraits. The Historical Society suffered under heavy debt during its early decades. In 1809, it organized a celebration of the 200th anniversary of the arrival of Henry Hudson in New York Harbor. Inspired by the event, the Historical Society petitioned and later obtained an endowment from the New York State Legislature, to be financed by a lottery in 1814. The failure of the lottery resulted in a debt that forced the Society to mortgage some of its books, which were not redeemed until 1823. The Historical Society and its collections moved frequently during the 19th century. In 1809, the Historical Society and its collections moved to the Government House on Bowling Green. Constructed as a residence for the President of the United States when New York was the temporary capital, the building had been unoccupied since the government's relocation to Philadelphia in 1790. In 1816, the Historical Society moved to the New York Institution, formerly the city almshouse on City Hall Park. In 1857, it moved into the first building constructed specifically for its collections, at the then-fashionable intersection of Second Avenue and 11th Street, where it stayed for the next 50 years. The Historical Society later acquired a collection of Egyptian and Assyrian art, which was eventually transferred to the Brooklyn Museum of Art. In 1936 it acquired the collections of the Naval History Society (1912–1936). ==Current building==

Construction for its eighth home began September 10, 1902. The central portion of the current building on Central Park West was completed on December 15, 1908, to designs by architects York and Sawyer, who were known for their bank designs. In 1938 that central block was extended and sympathetically completed by the construction of pavilions on either end, with Walker & Gillette as architects. That extension project stands among the last examples of Beaux-Arts architecture completed in the city and in the entire country. The building was designated a landmark by the New York City Landmarks Preservation Commission in 1966. Two notable stained glass windows are found in the library on the 2nd floor. The Arrival of Henry Hudson was designed by Mr. Calvert of the Gorham Manufacturing Company. The second is Revocation of the Edict of Nantes, known as the French Huguenot memorial window, in honor of religious refugees to New York. It is inscribed and signed by the artist, Mary Elizabeth Tillinghast. The window was underwritten by Margaret Olivia Slocum Sage, a philanthropist who was instrumental in commissioning other windows by Tillinghast. ==Decline and revival==

, Flags on Fifty-Seventh Street, oil on canvas, 1918, in the New York Historical's collection The Historical Society's collection continued to grow throughout the 20th century, but renewed financial woes in the 1970s and 1980s forced the Historical Society to limit access to its collections to professional researchers. In the 1980s, under the leadership of Herbert S. Winokur, Jr., a private equity financier and Enron board member, the Society was forced to use endowment invasion to pay their annual operating costs and cover their salaries, to the point where by 1988, they had only enough money in their endowment to pay for another 18 months of operating expenses. Barbara Knowles Debs from Manhattanville College was named interim director of the Historical Society. In the same year hundreds of paintings, decorative art objects, and other artifacts, which were stored in a Manhattan warehouse, were found to be critically deteriorating. Many of the objects were on long-term loan to the museum. In 1995, grants from the city and state restored public access under the direction of Betsy Gotbaum. Since the late 1990s, the New York Historical has invested significantly in facility and installation upgrades, and conducted fundraising. It has increased its operating budget by 160 percent to enhance and expand its public programs, while maintaining a balanced budget from 1998 to the present. Recent renovations to the Historical Society include new galleries and exhibition spaces, the Henry Luce III Center for the Study of American Culture, a state-of-the-art library reading room, and a new facility to house and provide access to the letters and manuscripts of the Gilder Lehrman Institute of American History. In 2005, the Historical Society was among 406 New York City arts and social service institutions to receive part of a $20 million grant from the Carnegie Corporation, which was made possible through a donation by New York City mayor Michael Bloomberg. The museum has mounted exhibits on national themes through history in New York. For instance, beginning in 2005 with Slavery and the Making of New York, 1600s–1827, it mounted the first exhibition ever in New York City on the major but little-known role of slavery in the city's economy and history. During the colonial years, 41% of households had slaves, and much of the city's economy through the Civil War was related to the South and slavery; half of its exports were related to cotton. Devoting the entire first floor to the exhibit, the museum mounted the largest theme exhibit in its 200-year history. It also addressed the strengths of African Americans who resisted slavery and created their own culture, both in New York and the nation. A related part of the exhibit was commissioning 20 new works by invited artists, some of whom used objects from the museum's collections to create new works and installations on this theme. The second exhibition was New York Divided: Slavery and the Civil War, 1827–1865, (November 17, 2006 to September 3, 2007), which explored the economy before the war and strong business ties to the South, events related to the war such as the New York City Draft Riots, and other aspects. Southerners visited New York so frequently in the antebellum era that they had favorite hotels. Under the direction of Louise Mirrer, a three-year, $65 million renovation of the landmark building on Central Park West was completed in 2011 to enhance public access to the institution's resources. On Central Park West, windows were lengthened to form new entrances, with views into the main gallery, and windows were expanded. To establish "a street presence," the society has installed life-size bronze sculptures outside the building—Abraham Lincoln on Central Park West, Frederick Douglass on West 77th Street—national figures with connections to New York. In 2023, the New York Historical Society began constructing the Tang Wing, designed by Robert A. M. Stern. The wing will contain collections on LGBTQ+ history. Construction topped out in May 2025, and the wing was expected to open in June 2026. ==Branding==

The Historical Society used an archaic spelling of the name "New York" from 1804 to 2024, hyphenating the city's name as "New-York," which was common in the 19th century when the institution was founded. The hyphen was still used in the 21st century to give the Historical Society a unique identity. In October 2024, however, the organization announced that it would be rebranding itself as New York Historical. ==Book prizes==

'', Seneca war chief, by F. Bratoli, 1796 • Louise Mirrer, 2004–present • Kenneth T. Jackson, 2001–2004 • Barbara Knowles Debs, 1989–1992 • Leroy E. Kimball, 1956–1962 • Fenwick Beekman, 1947–1956 • George Albert Zabriskie, 1939–1947 • John Abeel Weekes, 1913–1939 • Samuel Verplanck Hoffman, 1903–1912 • Eugene Augustus Hoffman, 1901–1902 • John Alsop King, 1887–1900 • Benjamin Hazard Field, 1885–1886 • Augustus Schell, 1883–1884 • Frederic DePeyster, 1873–1882 • Augustus Schell, 1872 • Thomas DeWitt, 1869–1871 • Hamilton Fish, 1867–1869 • Frederic DePeyster, 1864–1866 • Luther Bradish, 1850–1863 • Albert Gallatin, 1843–1849 • Peter Augustus Jay, 1840–1842 • Peter Gerard Stuyvesant, 1836–1839 • Morgan Lewis, 1832–1835 • James Kent, 1828–1831 • David Hosack, 1820–1827 • DeWitt Clinton, 1817–19 • Gouverneur Morris, 1816 • Egbert Benson, 1805–1815 == See also ==